Colin Firth

Cameron Diaz

Alan Rickman

Tom Courtenay

Stanley Tucci

Cloris Leachman

Alex MacQueen

Joe Berryman

Anna Skellern

Lorna Brown

Pip Torrens

Julian Rhind-Tutt

Selina Cadell

Mike Noble

Sarah Goldberg

Obi Abili

Ross Gurney-Randall

Paul Leonard

Togo Igawa

Gerard Horan

Sadao Ueda

Masashi Fujimoto

Charlotte Eaton

Julian Wondolowski

Rob Paris

Sidney Carroll

Ethan Coen

Joel Coen

Michael Hoffman

Al Goto

Kevin Day

Lucinda Syson

Paul Tothill

Adam Ripp

Florian Ballhaus

Libbie Barr

Mike Lobell

Elaine Grainger

Marc Cass

Jamie Edgell

Bradley Farmer

Marcus Shakesheff

Mark Brooks

Tait Fletcher

Andy Bennett

Tomas Sanchez

Christine Blundell

Chaya Feiner

Philip Clements

Nick South

Stuart Hendry

Jenny Beavan

Muffin Green

Paul Herbert

Richard Hooper

Catherine Hodgson

Marco Scotti

Hattie Storey

Amanda Pettett

Mark Holt

Sheara Abrahams

Ben Howarth

Michael Maroussas

Chloe Meddings

Paul Carter

Stuart Craig

Thomas Lappin

Stephenie McMillan

Alex Ellerington

Robin Morrison

Juraj Mravec

Alex Bailey

Alastair Rae

Maggie Rodford

Rolfe Kent

John Casali

Comedy

Crime

Gambit

CBS Films

FilmNation Entertainment

Crime Scene Pictures

Michael Lobell Productions

ArtPhyl

United States of America

English

I came to this because of the Coen brothers credit. It's an anomaly in their filmography — one of only two feature-length films they wrote but didn't direct, and the first since 1985. Sure, the poster makes the film look a lot less art-house-ready than the last film of theirs I saw, but I've enjoyed a Coen brothers farce before. Maybe the reason it hasn't made it stateside is because it's a misunderstood oddball. Turns out, no, it's pretty easy to understand. It's a cheaply-felt farce, replete with broad stereotypes sporting funny-sounding accents and the usual game of misunderstandings, several of which looking like they could quickly end if only certain characters decided to use peripheral vision. You wonder how different this film would have looked if the Coen's script hadn't reportedly been reworked or if they directed it instead. I did enjoy the idea that our conman hero initially paints his mark as a cartoonish and sour individual. But when we meet him in a more objective gaze, he seems much more rational, though clearly impatient with his employee. There's an intriguing antihero-versus-antihero story in that. I wish the film had further explored that idea.

Peter McGinn

Based on glancing at a lot of reviews of this movie, I was expecting to see a hot mess of a film. But I like Colin Firth, Tom Courtney and a few other featured actors, so I gave it a try. I enjoyed it, start to finish. Go figure. Not sure what the hate was all about: purists about Coen and Coen films (they wrote this but didn’t direct it), affection for the original version which I haven’t seen, or whatever. It is no masterpiece but it entertains. There, I said it.  There was a plot gap here and there, but I was watching this for fun, nothing else. That is what I found.

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Gambit

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