Johan Heldenbergh

Matthias Jacquin

Mallory Wanecque

Loïc Pech

Timéo Mahaut

Mélina Vanderplancke

Angélique Gernez

Esther Archambault

Dominique Frot

François Créton

Carima Amarouche

Sophie Bourdon

Fabienne Dufour

Julien Bodart

Cathie Bomy

Freddy Boucher

Aurora Fay

Virginie Cordier

Silvia Fournier

Anaïs Germe

Michel Dubois

Pascal Fournez

Florence Lefebvre

Nicolas Dehedin

Anne-Philippe Lasalle

Nolan Trupin

Rémy Camus

Nathalie Desreumaux

Frédéric Jouve

Marine Alaric

Éric Dumont

Lise Akoka

Romane Gueret

Elénore Gurrey

My Lan Nguyen Quang

Ella Delormas

Albertine Lastera

Edgar Fichet

Fanny Jakubowicz

Emmanuel Borgetto

Romain Gentil

Margaux Escourolle

Marc Doisne

Cedric Meyrand

Milan Evrard

Axel Balakrishnan

Emmanuelle Benayoun

Clémentine Vanier

Bérengère Barthélémy

Camille De Brito

Quentin Roché

Florent Klockenbring

Laurent Baude

Thomas Gros

Grégoire Lobut

Simon Maignan

Lola Bourdin

Marie Koleda

Jean Umansky

Laurent Weitmann

Boris Chapelle

Florian Penot

Drama

Comedy

Les Pires

Les Films Velvet

France 3 Cinéma

France

United States of America

English

Français

The Worst Ones

Brent Marchant

At the risk of sounding snarky, the title of this debut feature from writer-directors Lise Akoka and Romane Gueret could be interpreted in multiple (and unflattering) ways. Suffice it to say, however, this documentary-style drama about a filmmaker seeking to cast his production with nonprofessional actors from a low-income neighborhood (i.e., ghetto) in suburban northern France presents a haphazard mélange of story threads that seem more meandering than insightful or enlightening. The four protagonists who are selected for this fictional work become disapprovingly known as “the worst ones” for supposedly having the most notorious reputations in the neighborhood (though, when honestly compared to many of their contemporaries, they don’t come across as significantly different from the rest of the locals). While this offering seems to be attempting to convey how their everyday existence mirrors that of the characters they’re portraying, that goal is never clearly delineated nor effectively achieved, making viewers wonder what’s really going on in their off-screen lives (not to mention in the parts they’ve taken on in a story that seems to make little sense). To cloud matters further, in an attempt to show (rather than tell about) what the lives of these youthful actors are like, the picture genuinely feels more improvised than structured. What’s more, claims that this film offers a gritty, groundbreaking look into the challenge-filled lives of the economically underprivileged are vastly overstated, given that this territory has already been covered (and better) numerous times before in such other French releases as “Girlhood” (2014), “Dheepan” (2015), “Les Misérables” (2019) and “Gagarine” (2020), not to mention in an array of releases from many other countries. This is all compounded by the fact that much of the narrative is tedious, unfocused, imbalanced, boring and even silly at times. Indeed, how this release managed to capture the 2022 Cannes Film Festival Un Certain Regard Award genuinely escapes me. The underlying aim behind this picture may have arguably been a noble one, but its poorly planned execution and jumbled final cut fail to make that apparent, undoing whatever good might have been intended. Skip this one.

The Worst Ones – Official U.S. Trailer

The Worst Ones

производственные компании

Актёрский состав 28:

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