Vicky Krieps

Florian Teichtmeister

Katharina Lorenz

Jeanne Werner

Alma Hasun

Finnegan Oldfield

Manuel Rubey

Aaron Friesz

Colin Morgan

Tamás Lengyel

Ivana Urban

Alexander Pschill

Raphael Nicholas

Rosa Hajjaj

Lilly Marie Tschörtner

May Garzon

Norman Hacker

Marlene Hauser

Adrien Papritz

Oliver Rosskopf

Peter Faerber

Klaus Huhle

Johanna Mahaffy

David Oberkogler

Alice Prosser

Stefan Puntigam

Resi Reiner

Raphael von Bargen

Regina Fritsch

Johannes Rhomberg

Kajetan Dick

Astrid Perz

Eva Spreitzhofer

Stefan Murr

Nils Arztmann

Amaury Ovise

Enguerrand Déterville

Olivier Père

Alexander Bohr

Janine Jackowski

Bernard Michaux

Maren Ade

Alexander Glehr

Marie Kreutzer

Simon Ofenloch

Jonas Dornbach

Jani Thiltges

Ulrike Kofler

Jean-Christophe Reymond

Johanna Scherz

Judith Kaufmann

Monika Buttinger

Camille

Martin Reiter

Julia Brachert

Barbara Hellemans

Alex Johnson

Rita Waszilovics

Gottlieb Pallendorf

Steven Swirko

Karoline Maes

Joanne Becker

Olivier Bisback

Drama

History

Corsage

Film AG

Kazak Productions

Komplizen Film

Samsa Film

ZDF/Arte

Austria

France

Germany

Luxembourg

English

Français

Deutsch

Magyar

Italiano

CinemaSerf

The danger with fictional accounts of the lives of real people, is that it is frequently all to easy to poke holes in the plot. This is one such film that takes just a little too much creative licence with the the life of the Empress Elisabeth (Vicky Krieps). Wife of the famed Austro-Hungarian Emperor Franz Josef (Florian Teichtmeister), this film follows a supposed year in the life of this curious historical figure who, having suffered a family tragedy and enduring a rather estranged emotional relationship with her husband, spends much of her life obsessing with her weight and seeking solitude. Krieps is on good form, she creates a persona for her character that is effective to watch, but the mixture of modern and period scenarios (old buildings with modern fire doors; a cross-channel ferry!) seems anachronistic - to what end? The buildings in which she and her family inhabit have none of the opulence and grandeur of the Hofburg or Prague Castle, indeed the British home of her horse-master "Bay" (Colin Morgan) looks little better that a ramshackle ruin - and this is incongruous with the way we know she lived her life. Reclusive, yes, but still in splendour. It is also a particularly unremarkable year in her life to have chosen to illustrate. Not the previous ones where turbulence within the Imperial family reigned, not the famed "Mayerling" period which was ultimately held responsible for the final decline of this lady. There is also an highly speculative portrayal of her relationship with Bavaria's equally famous King Ludwig II (Manuel Rubey) that adds little. The denouement itself is presented here in a rather too bizarre fashion that disappointingly topped off this interesting but frankly flat and pace-less drama that offers us a glimpse of this intriguing woman, but little more of substance. Pity.

Marie Kreutzer & Vicky Krieps on Adapting the Life of a Queen in Corsage | NYFF60

Corsage

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Актёрский состав 35:

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