Lou de Laâge

Valérie Lemercier

Melvil Poupaud

Niels Schneider

Elsa Zylberstein

Grégory Gadebois

Guillaume de Tonquédec

Jeanne Bournaud

Anne Loiret

Sâm Mirhosseini

Sara Martins

William Nadylam

Arnaud Viard

Philippe Uchan

Alan Risbac

Éric Frey

Samantha Fuller

Emilie Incerti-Formentini

Christophe Kourotchkine

Naidra Ayadi

Constance Dollé

Juliette Plumecocq-Mech

Benoît Forgeard

Laura Malvarosa

Jamel Elgharbi

Bruno Gouery

Isabelle De Hertogh

Anna Laik

Anne-Catherine Lavole

Letty Aronson

Woody Allen

Vittorio Storaro

Helen Robin

Sonia Grande

Pierre Fontbonne

Valentin Monge

Véronique Melery

Jean-Marie Blondel

Arnaud Gervet

Faustine Chevrin

Ioana Sincu

Leo Spartacus

Lenaig Periot-Boulben

Adrián Martín Maury

Dominique Eyraud

Giacomo Bernasconi de Luca

Georges Kafian

Vincent Buron

Odeline Reix

Thierry Valletoux

Christopher Guzman

Eva Claverie

François Guerin

Eugenie Lavieille

Clément Audebrand

David Boitard

Delphine Bertrand

Clara Zilliox

Bruna Astrié

Oriane Brisson-Bertrand

Amaury Capel

Géraldine Laferte

Sandie Galan Perez

Patricia Kerrigan DiCerto

Adam B. Stern

Alisa Lepselter

Mathis Dujardin

Comedy

Drama

Romance

Thriller

Crime

Coup de chance

Gravier Productions

Perdido Productions

Dippermouth

Petite Fleur Productions

France

United Kingdom

United States of America

Français

Coup de Chance

Brent Marchant

If I had to come up with one word to describe writer-director Woody Allen’s latest film, it would have to be “inconsequential.” This flat, uninspired slog about the trophy wife (Lou de Laâge) of an overly possessive well-to-do Parisian businessman (Melvil Poupaud) who has an affair after a chance meeting with one of her old classmates (Niels Schneider) is close to a career low point for the famed auteur. The picture’s wooden characters routinely spout trite, at times laughable dialogue peppered with nonchalant references about privileged upscale living and obvious, shallow observations about art, poetry and culture. Then, of course, there are the tired discussions about the role that luck plays in our lives that have now been incorporated into the scripts in nearly all of Allen’s 50 films. Even the narrative feels like a retread of previous releases with elements that appear to have been culled from such offerings as “Crimes and Misdemeanors” (1989), “Match Point” (2005) and “Irrational Man” (2015), only rearranged in a lighter, less interesting configuration of those other finer works – and one with an uncharacteristic and eminently predictable ending at that. The picture’s French language script is perhaps the only distinguishing trait of this work, but that adds precious little to the finished product (except perhaps for the eye strain that viewers are likely to walk away with for having to read everything). Don’t get me wrong – Allen is one of my all-time favorite filmmakers, but this release (like many of those in recent years) is not one of his better efforts. In fact, it’s been speculated (even by the director himself) that this could be his last picture, and it’s a shame if this is how he were to end his filmmaking career, going out with a whimper instead of a bang. But, if the gas tank is empty by this point, better to quit now than to continue producing mediocre, forgettable pictures that detract from an otherwise-great body of work.

Official Trailer [Subtitled]

Coup de Chance

производственные компании

Актёрский состав 29:

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