Refet Abazi

Tristan Halilaj

Sindi Lacej

Ilire Vinca Çelaj

Zana Hasaj

Erjon Mani

Luan Jaha

Çun Lajçi

Veton Osmani

Zefir 'Bep' Bushati

Selman Lokaj

Kol Zefi

Tyler Brodie

Eric Abraham

Joshua Marston

Andamion Murataj

Hunter Gray

Rob Hardy

Jacobo Lieberman

Malcolm Jamieson

Janine Gold

Leonardo Heiblum

Gwen Bialic

Tommaso Ortino

Domenico Procacci

Andrew Goldman

Teuta Resuli

Smokey Nelson

Tom Efinger

Anila Jaho

Shaun Brennan

Abigail Savage

Steve F.B. Smith

Andon Koja

Odeta Cunaj

Rondi Scott

Erion Spada

Jennie Paddon

Oriana Kamberi

Emir Turkeshi Gramo

Paul S. Mezey

Rich Bologna

Drama

The Forgiveness of Blood

Sundance Selects

Fandango

Portobello Pictures

Artists Public Domain

Cinereach

Lissus Media

Journeyman Pictures

Phoenix Film Investments

Albania

Denmark

Italy

United Kingdom

United States of America

shqip

Joshua Marston, best known as the director of drug mule story MARIA FULL OF GRACE, gives us here a poignant depiction of blood feuds in northern Albania. The script was cowritten by Andamion Murataj, the film was shot on location, and the actors are all Albanians, some of them amateurs, speaking the authentic Gheg dialect of their region.

Nik (Tristan Halilaj) is in his last year of high school and dreams of opening an internet/computer game café in his small town. His sister Rudina (Sindi Lacej) hopes to go on to university. Their dreams are dashed, however, when their father (Refet Abazi) kills a neighbour in a dispute over land. To avoid revenge attacks from the dead man's family, the males of the family are forced to stay inside their home at all times, a situation that could last for years while the community mediates the feud. With the father out of work, Rudina is forced to drop out of school, deliver a bread route, and buy contraband cigarettes to sell at a profit.

Marston and his cowriter are clearly interested in depicting the intersection of two worlds in Albania: mobile phones and cheap motorbikes alongside ancient laws that hold a man's honour sacred. What weakens the film, however, is that nowhere is it made clear that blood feuds are not a typical feature of contemporary Albanian life: while they briefly erupted in the early 1990s after the fall of Communism, and some families still live under them, it is very unusual for one to start today. Without mentioning that things have changed, this film misrepresents Albania and misleads Western viewers towards a Boratish caricature.

Note how other reviews here and elsewhere tend to commend the film more for "teaching them something about Albania" than for cinematography or acting. The camerawork is completely unimaginative, lacking any carefully composed tracking shots and depending far too often on a seasick shaky handheld camera following a walking actor. While the acting isn't outright bad, the deficiencies in the script only make their amateur effort stand out. While life for the men in the family is tedious as they can't step out of the house, this point is already sufficiently made by halfway through the film, and yet the script goes on and on without anything more to say. The ending seems ad hoc and doesn't really follow from the body of the film.

Official UK Trailer

The Forgiveness of Blood

производственные компании

Актёрский состав 12:

Съёмочный состав 35:

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