Enea Sala

Leonardo Maltese

Paolo Pierobon

Fausto Russo Alesi

Barbara Ronchi

Andrea Gherpelli

Samuele Teneggi

Corrado Invernizzi

Filippo Timi

Fabrizio Gifuni

Paolo Calabresi

Aurora Camatti

Bruno Cariello

Walter Lippa

Alessandro Bandini

Leonardo Bianconi

Daniele Aldrovandi

Fabrizio Contri

Giustiniano Alpi

Orfeo Orlando

Federica Fracassi

Giulia Quadrelli

Renato Sarti

Flavia Baiku

Tonino Tosto

Christian Mudu

Riccardo Bandiera

Francesco Di Giacomo

Daria Calvelli

Sergio Ballo

Francesca Calvelli

Fabio Massimo Capogrosso

Stefano Mariotti

Daniele Scalise

Andrea Castorina

Viola Fügen

Alessio Lazzareschi

Maurizio Feverati

Sonia Cilia

Michael Weber

Alexandra Henochsberg

Patrick Carrarin

Pierre-François Piet

Rodolfo Migliari

Paolo Del Brocco

Maurilio Mangano

Daniela Ceselli

Edoardo Albinati

Enrico Iacoponi

Alberta Giuliani

Anna Belluccio

Barbara Daniele

Marco Bellocchio

Simone Gattoni

Susanna Nicchiarelli

Beppe Caschetto

Drama

History

Rapito

The Match Factory

IBC MOvie

Kavac Film

RAI Cinema

Ad Vitam Production

ARTE France Cinéma

France

Germany

Italy

עִבְרִית

Latin

Italiano

Kidnapped

CinemaSerf

Based on a bizarre true story, this follows the tale of the young Edgardo Sala who was living quite happily with his Jewish parents and siblings in Bologna until an official arrives one evening to tell them he is to be removed from their care. Why? It appears that many years earlier when he was in his cradle, he has been baptised and so must therefore be looked after by the church. Despite their appeals and protestations, he is swiftly taken to Rome where he is enrolled in a Catholic school where his is pretty thoroughly indoctrinated into the ways of his new Church - even becoming of special interest to Pope Pius IX (Paolo Pierobon). The story really centres around the trial many year later of the Papal Officer Feletti (Fabrizio Gifuni) after the city had become part of the Italian Kingdom, and those proceedings are used to fill in some of the backstory and to test the theories of responsibility of actions done in the name of the State. Perhaps unsurprisingly, the young man grows up to become conflicted - his love of Jesus struggles with his love of family and of the Talmud that was so important to him as a child. What I didn't really understand was just why the Pope would ever been at all interested in the fate of a small Jewish lad when the Papal States were in permanent decline, but Marco Bellochio uses a solid cast and a sparing, but frequently impassioned, amount of dialogue to deliver a stylishly made intrigue that show the last vestiges of the once all-powerful Papacy and of the inconsequential hopes of a family and a small boy.

Kidnapped

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Актёрский состав 27:

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