Sandra Drzymalska

Isabelle Huppert

Lorenzo Zurzolo

Mateusz Kościukiewicz

Tomasz Organek

Lolita Chammah

Agata Sasinowska

Anna Rokita

Michał Przybysławski

Gloria Iradukunda

Piotr Szaja

Aleksander Janiszewski

Delfina Wilkońska

Andrzej Szeremeta

Wojciech Andrzejuk

Mateusz Murański

Marcin Drabicki

Maciej Stępniak

Fernando Junior Gomes da Silva

Krzysztof Karczmarz

Waldemar Barwiński

Saverio Fabbri

Katarzyna Russ

Kateřina Holánová

Michał Dymek

Jerzy Skolimowski

Jeremy Thomas

Ewa Piaskowska

Krzysztof Szymański

Agnieszka Glińska

Marcin Kupiecki

Eileen Tasca

Teodoro Casani

Mirosław Koncewicz

Teo Casani

Janusz Hetman

Ivan Kelava

Alainée Kent

Tomasz Morawski

Paweł Mykietyn

Jorgelina Depetris Pochintesta

Paulina Krajnik

Robert Dyrcz

Kamila Grzybowska-Sosnowska

Katarzyna Lewińska

Aleksandra Dutkiewicz

Weronika Zielińska

Alessandro Pieroni

Chiara Scardamaglia

Maja Astrid Diedenhofen

Giorgio Melidoni

Paweł Powolny

Maria Wider

Sidharthan Aramban

Balakumar

Suraj Bardia

Olivier Chane

Paweł Jaźwiecki

Marcin Matlak

Radosław Ochnio

Pandiyan R.

Azzurra Stirpe

Marta Weronika Werońska

Paweł Jusiński

Michał Krzyżkowiak

Tomasz Lewandowski

Łukasz Bąk

Giuseppe Foderaro

Leonardo Kurtz

Luca Scarparo

Cecilia Minutillo Turtur

Alessio Zanella

Gniewko Falana

Jason Merle

Jędrzej Sablinski

Paweł Juzwuk

Maria Vittoria Daquino

Hervé Renoud-Lyat

Julia Bogusławska

Paweł Edelman

Michał Englert

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"Eo" is a donkey. Rescued from an harsh life in a circus by legislation from the Polish government, this film follows it's adventures as it is relocated to an equestrian centre - where it is lonely and causes a little bit of havoc; then a donkey sanctuary from which it escapes after a brief visit from former circus friend "Cassandra" (Sandra Drzymalska), before several other curious escapades befall it on travels that seem to encompass the length and breadth of the country. Told from the perspective of the donkey (though not through it's eyes) we see all that it might see - and humanity, warts and all, doesn't tend to come off so well! We see kindness and sympathy, but also brutality and thuggishness, too, and at times this is a frank and graphically horrible film to watch without squirming. Director Jerzy Skolimowski lets us see just how varied (and frequently ghastly) human behaviour can be, but he doesn't make judgements - he uses "Eo" as a benign - sympathy inducing - carrier of his message and allows the audience to draw their own conclusions. I did struggle with the end, and at times the narrative continuity stretched the imagination a little (especially with the wolves and towards the ending) but this is still a quirkily engaging and thought-provoking story not just about an animal - and of how human beings treat them in general - but one of how human beings treat their own species too. Beware the flickering lighting is probably not for those sensitive to such things, and I found it heavily over-scored at times, but I did appreciate it and would recommend it if you've a spare ninety minutes to take a different view on life!

I'm pretty sure this is one of those movies that people either love or hate. I'm in the latter group.

Mark Kermode reviews EO (2023)

EO Director Jerzy Skolimowski & Co-Writer Ewa Piaskowska on the Making of Poland's Oscar Entry

EO

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