Melissa Barrera

Jenna Ortega

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Jack Quaid

Mikey Madison

Courteney Cox

David Arquette

Neve Campbell

Dylan Minnette

Skeet Ulrich

Sonia Ammar

Roger L. Jackson

Kyle Gallner

Marley Shelton

Reggie Conquest

Heather Matarazzo

Chester Tam

Brooke Barnhill

Stephen West-Rogers

Milli M.

Christopher Speed

Chelsea Rebecca

James A. Janisse

Drew Barrymore

Adam Brody

Henry Winkler

Hayden Panettiere

Jamie Kennedy

Matthew Lillard

Matt Bettinelli-Olpin

Tyler Gillett

Iya Labunka

Kevin Williamson

Marco Beltrami

Patrick Lussier

Julie Plec

Rian Johnson

Brian Tyler

Matt Fann

Eliza Pollack Zebert

Greg P. Russell

Angelo Raguso

Michel Aller

Caleb Hollenback

Giorgi Lekishvili

Alexander Sanikidze

Biko Gogaladze

Zane D. Bruce

Michelle Pazer

Beso Kacharava

Antony Zeller

Sean Massey

Peter Staubli

George Murgulia

D. Chris Smith

George Corrie

Danya Bateman

Paul Burke

Timothy Coderre

Jeffrey Mayfield

Marcelle Coletti

Angela Bend

Jennifer Badger

Keith Ward

Marissa Labog

Jerry Hall

John Bromell

Delmar Reyna

Salvador Vasquez

Neil Orchard

John Gilbert

Billy Bob Hendricks

James Johnston

Michael Shapiro

Jill Autry

Matt Doll

Matthew Brookman

Kevin Grieve

Lee Donaldson

Jack Templer

Scott Friedland

Patrick Hayden

Dino Muccio

George Winn

Steve Thompson

Colin Dennis

Michael Bonsignore

Jake Andrews

Jay Coyle

Dave Knudson

Tom Jones Jr.

David Toothman

Kathy Brunswick

Cameron Byers

Chad Hoyle

Stephen Carlson

Jeremy Cox

Jack W. Caldwell

Richard Smith

Ryan Thrift

Daniel Wils

Chris Wright

Ernie Watson

Joey Huff

Heinner Mourillo

Jason Carrick

Tim Hunley

Jeff Loy

Jane Beck

Reid Duke

Debra B. Mills

Penny Thomas

Amy Fulbright

Jehan Purcell

Ryan Daeche

M.J. Cocuzza

Rebecca Lee

Cheryl Watson

Sean Hiller

Charley Coleman

Rick Pour

Stephanie Macomber

Hannah Ross

David Townsend

Stephen Glawson

Lisa Mae Fincannon

Bernard Williams

Amy Harmon

Steven Trapani

Nancy Kirhoffer

Tasha Thomas

Shellie Gillespie

Erin Rose Kelly

Richard Conkling

Christy Koebley

Erin Hunter

Scream Collection

Horror

Mystery

Thriller

Scream

Paramount Pictures

Project X Entertainment

Radio Silence

Spyglass Media Group

United States of America

English

It is hard to believe it has been 25 years since “Scream” premiered and in doing so; brought new life into the slasher genre which had become stale due to an abundance of direct to DVD and cable releases combined with many uninspired and stale theatrical releases.

The movie was a massive success and launched a very successful trilogy and made the Ghostface killer and many moments from the series Pop Culture mainstays.

After a hiatus; “Scream 4” arrived and continued the series and in 2022; “Scream” has arrived which continues the story to the eager anticipation of fans.

When a young girl named Tara (Jenna Ortega); is brutally attacked in a fashion very similar to the Ghostface Killer; her sister Sam (Melissa Barrera); returns to Woodsboro to be by her side while Tara recuperates.

Sam is joined by her boyfriend Richie (Jack Quaid), who has no idea about the history of Woodsboro nor the popular “Stab” film series that is based on the events of the murders that have plagued the town.

Sam’s past troubles makes her return difficult and when Ghostface strikes again; she and Richie seek the help of Dewey (David Arquette); who has fallen on hard times and has split from Gayle (Courtney Cox). Despite his reluctance; Dewey gets involved and tells Sam the “rules” which would indicate the killer might be someone she knows and soon everyone in her and Tara’s circle becomes suspect even as the deaths start to increase.

This allows for some of the best moments of the film as the characters make references to several other modern and past horror franchises and discuss things from online Trolls, rabid fans, and other Pop Culture references which provides some tongue in cheek humor about the series and also establishes the world of “Scream” as one where people are well-versed in horror films old and new and have modified the rules based on sequel, prequel, and “Requel” rules for films.

As tensions and body count mounts; Gayle, Dewey, and Sidney (Neve Campbell) must face their fears to stop Ghostface before it is too late.

While the final act of the film is very over the top and at times absurd; it does provide plenty of the elements that fans have come to expect from the series. I was able to accurately see and predict almost all of the twists very early in the film and did not have many surprises as the film unfolded; I think many will still find enough enjoyment watching the tale unfold as after four films I have a pretty good idea of the formula for the series and also have many years of this as I saw the twists in “The Sixth Sense” and “The Village” very early in the films so I just seem to have a knack for this sort of thing.

While it does not break much in the way of new ground; the film does deliver what fans have come to expect and I did find in more enjoyable than “Scream 3” and there was more than enough to keep me entertained. There have been rumors that a sixth film has already been planned and if so: I will be more than ready for more.

3.5 out of 5

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/scream-2022-spoiler-free-review

"Scream (5) is a brilliant "requel" with cleverly fascinating meta commentary on the horror genre, toxic fandoms, social media, and much more, ultimately becoming a strong contender for this new year's Top10.

Boasting a continuously entertaining screenplay filled with exceptionally captivating, relevant dialogue and some of the goriest, bloodiest murders in the famous saga, the directors (Matt Bettinelli-Olpin, Tyler Gillett) and writers (James Vanderbilt, Guy Busick) pay a beautiful homage to the influential creator Wes Craven.

The whole cast - both newcomers and icons - delivers remarkable performances, portraying characters who unapologetically address admittedly cinephile-driven topics that some occasional moviegoers might not fully understand but will still receive pure entertainment on the big screen.

As a horror-mystery flick, it keeps the viewers on the edge of their seats, laughing and getting jumpscared for the entire runtime. I couldn't recommend it more."

Rating: A-

Chris Sawin

Ghostface is my favorite cinematic serial killer and I love the first four films (yes, even _Scream 3_ and Gale’s terrible bangs) despite their flaws and fluctuating factors of entertainment. I’ll see and support any new _Scream_ film or TV series that comes along because of it. I know this new installment was successful ($88.4 million worldwide box office gross as of this writing) and some enjoyed it, but it is honestly my least favorite in the franchise.

This new film feels like it’s trying too hard to be one of the original _Scream_ films when it should have just been more of its own thing. This is something the film addresses, but originality should always triumph over retreading familiar territory; especially when it seems like its kills are being plunged into the same stab wounds.

Full review: https://hubpages.com/entertainment/Scream-2022-Review-Movies-Make-Psychos-More-Imitative

Decent movie with a nice balance of meta / references to the original without overdoing it.

Okay addition to the franchise has some good kills and the acting at least was serviceable and nice seeing the legacy characters again. The killer's motivations did feel a bit 5 years ago (to me, though I don't do reddit or really other social media platforms) but fine I guess and similar to the social commentary from Scream 4. I'd rank this third in the franchise I suppose, behind the original and Scream 2 (for all that movie's flaws, it has a soft spot for me). Not great but worth watching once. **3.25/5**

Nathan

Scream is a self-aware thriller that doesn't try to be more than it is. The kills are great, the violence is there, and the comedy is good enough that is doesn't take away from the movie.

**Verdict:** _Good_

Martha

I've watched every scream since scream was invented. I like the first two okay but after that the kind of got a little iffy. This one really goes back to what screen was intended to be by Wes Craven. I really like the flow of this movie and how they put the twist on Samantha's character. It starts like the first scream and it ends like the first scream. I'll have to say out of all the scream movies this was one of the most decent and hardest to figure out.

The Movie Mob

**One of the best slasher flicks since 1996!**

I loved the first Scream - the surprise, the shock, the self-awareness, the humor. It reinvented horror and launched a franchise of sequels of varying quality. And this newest one is the best since the first! It captured all the fun of the first. It kept the stakes high by bringing back the original cast and proving that no one is truly safe. The directors had fun baiting the audience with every slasher trope they could. Tense music would rise every time a character walked past a dark doorway or opened a cabinet to hide the view from the hall - naturally, that is when the killer is standing on the other side but not in Scream! Playing with the tropes in a fun, self-aware way is what Scream is all about, and Matt Bettinelli-Olpin and Tyler Gillett nailed it.

Some things never change. This can be good and also bad. Bad like Audibly Sharp knives (i.e., blades that make a sharpening noise when being whisked through thin air), or like when former deputy Dewey Riley (David Arquette) says “You have to shoot 'em in the head, or they always come back.” Of course, the very existence of the new Scream is irrefutable proof that they will come back regardless. This movie is slasher history repeating itself in more ways than one; in addition to revisiting this particular franchise, it borrows a key plot point from Freddy's Dead: The Final Nightmare – that I will not reveal but which you may have inkling about if you are, like me, a student of the genre.

All of the above notwithstanding, Scream ‘22 is overall more good than bad. True to its roots, this iteration serves as a deconstruction of the current state of mainstream horror cinema. Specifically, it is a textbook example of a “requel” – like the last couple of Halloweens, or the recent Texas Chainsaw Massacre –, and by ‘textbook’ I mean that it actually includes a scene where a character literally explains what a requel is and how it works. I also like that it lampshades one of my least favorite tropes, which I call Chekhov's Inhaler.

I just compared it to Halloween and The Texas Chainsaw Massacre, but the fact is that Scream ‘22 comes to join the much better company of Wes Craven’s New Nightmare and last year’s Candyman (suitably, the movie is dedicated to Craven’s memory and gives Jordan Peele a shoutout). This Scream’s oft-repeated mantra is “always go back to the original,” and that’s sage advice because, like Nightmare on Elm Street, this franchise is a brainchild of Craven that began life as thinking man’s horror only to get progressively dumbed down with each new entry – unlike, say, Friday the 13th, which was born stupid.

Thankfully, this film has been made by people with knowledge of and respect for their source material, and who don’t underestimate the audience’s intelligence. Consequently, when characters send text messages, the words appear on their phone screens as opposed to our movie and TV screens, and when a someone is stabbed, they spill real fake blood instead of a stream of red pixels (and in an age where CGI is the norm, any horror movie that uses practical effects instantly doubles its visceral impact). I will only add that, also like New Nightmare and Candyman ‘21, Scream ‘22 is as much of a return to form as it is a fitting farewell, so here’s hoping that it will live up to its promise that “After tonight, no more books, no more movies, no more f***ing Ghostface.”

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