Delroy Lindo

Jonathan Majors

Clarke Peters

Norm Lewis

Isiah Whitlock Jr.

Mélanie Thierry

Paul Walter Hauser

Jasper Pääkkönen

Johnny Nguyen

Lê Y Lan

Nguyen Ngoc Lâm

Sandy Huong Pham

Jean Reno

Chadwick Boseman

Veronica Ngo

Nguyen Anh Tuan

Duc Luong

Quoc Tuan

Tran Minh Thuong

Hoang Sang

Thanh Van

Nguyen Bao Ngoc

Linh Huynh

Le Cuong

Nhu Thuc

Hung Cuong

Thuy Hong

Nhu Le

Ngoc Anh

Hawk Newsome

Adrienne J. Stowers

Tirina Simons

Kenda Roberts

Pernell Edward

Hanh Phuc

Chu Xuan Ai

Jordan Morgan

Alex Winters

Anton Patrynika

Casey Clark

Andrey Kasushkin

Suradet Dongthaisong

Nhut Linh

Phuc Pham Hoang

Quoc Toan

Xuan Thanh

Truc Linh

Nguyen Kim Dung

Nguyen Vu Truc Nhu

Taweesak Baoseehah

Surawan Satchukorn

Pichaiyut Jongjai

Chaiyos Chaiyosburana

Laersak Phusomjai

Amanda Nguyen

Devin Rumer

Rick Shuster

Alexander Winters

Mav Kang

Lyndon B. Johnson

Malcolm X

Hồ Chí Minh

Richard Nixon

Donald Trump

Neil Armstrong

Martin Luther King Jr.

Muhammad Ali

Kevin Willmott

Ari Robbins

Paul De Meo

Danny Bilson

Kat Spencer

Somchart Karunpaisarn

Chon Thananawin

Charat Phonwon

Larry V. Steele

Pithai Smithsuth

Ian Kincaid

David Lee

Regine Linhares

Chetsaristh Smithnookulkit

Spike Lee

Phanom Phromachat

David Valdez

Peter Byrne

Seng Kawee

Chris Centrella

Craig Anthony

Veronica Teong

Voradet Emeam

Joanna Rodriguez

Punchaya 'Nern' Phorang

Supakarn Yindee

Juliette Ménager

John Trapman

Marvin Gaye

Nicolas Derouet

Lloyd Levin

Jon Kilik

Barry Levine

Beatriz Levin

Mike Bundlie

Jeremy Woolsey

Newton Thomas Sigel

Jonathan Filley

Donna Berwick

Terence Blanchard

Adenike Wright

Adam Gough

Jeanette Scott

Wynn Thomas

Nicholas Simon

Kim Taylor-Coleman

Benoît Jaubert

Anusorn Musicabutr

Sian Richards

Erica Rice

Larry M. Cherry

Dave Flynch

David McElfresh

Jason Sweers

Philip Stockton

Craig Kyllonen

Randall Balsmeyer

David Boulton

Adnan Ahmed

Kate Bilinski

Trevor Tavares

Jonathan Fuh

Sarah Goodhue

Marko Costanzo

George A. Lara

Dorotka Sapinska

Paul Hsu

Jiho Kim

Navarutt Roongaroon

Kerry Spurrell

James Cooper

Sean Gundlach

Frank Kern

Dana Kay Hart

Marvin R. Morris

William Ross

Stephen Nakamura

Watana Garum

Kenton Jakub

David Piombino

Deidra Dixon

James Debbs

Branka Mrkic

Luftar Von Rama

David Webb

Jeff Ward

Tammy Williamson

Mustapha Mimis

José Antonio García

Rochelle Claerbaut

Drama

Da 5 Bloods

40 Acres and a Mule Filmworks

Rahway Road Productions

United States of America

English

suomi

Français

Tiếng Việt

Click here for a video version of this review: https://youtu.be/Ahb78xE_xyc

Hooked by the trailer, I keenly awaited the arrival of _Da 5 Bloods_ on Netflix. This is a new Spike Lee movie that follows four African-American veterans from the Vietnam War as they return to Vietnam decades later. Their reason for going back is twofold - they are in search of the remains of their fallen squad leader but also to recover a pile of gold they buried while in-country.

I’ll start off with the things I enjoyed about this. 

I thought it was great to see Delroy Lindo front and centre of this movie. He’s a great actor and he is by far the stand out in this. In fact the best part of the whole movie belongs to him in a fantastic monologue delivered directly to the camera. It sears and makes you feel uncomfortable to watch. His performance in those three or four minutes was so good that it elicits a reaction from you. It reminded a lot of the devastating monologue Jean Claude van Damme gives in his criminally underrated movie _JCVD_. It’s fantastic stuff. 

The other thing I liked was that Lindo and crew were the same age through the whole film, be it in Vietnam during the war, or in the present day. There seems to be some confusion online about this, my take on it was that this was an artistic choice to show how memories of the war stayed with the guys. When they reminisced from the present day, the things that happened to them back during the war were still affecting them. It was an effective way to get this across.

Also from an artistic point of view I thought the way the aspect ratio of the screen changed depending on whether it was present day or during war was great. It gave you a visual reminder of the change of tone and storyline. 

So those were some good things that really stood out to me. On the other side there were a number of things that I found quite distracting about this, things that took me out of the film. 

Like how within the first 10mins there is a dig at Donald Trump. One of the characters refers to him as “President Fake Bone Spurs” which was a funny joke in passing, but then we switch to some actual footage of Trump at a rally and the on screen graphic identifies him as President Fake Bone Spurs. There’s digs like this all the way through and it felt odd and shoehorned in for a movie about Vietnam. To the point where towards the end of the movie, the biggest a-hole in the movie literally puts on a Make America Great Again hat. Like, we get it bro, you don't like Trump, can we please get back to the treasure hunt now?

At times the movie does a subtle job of speaking its message, but at other times it feels too heavy handed. Lee treats his audience like idiots by having a character go on to explain a point that he had subtly made just in case you didn't get it, and then at other times like with the MAGA hat, he just slaps you in the face like as if nuance is beyond you. I think this means that for some viewers, rather than getting them thinking and the dialogue being thought provoking, it will just entrench them deeper in their beliefs by getting defensive.

I also felt that the movie was too long. It clocks in at just over two and a half hours and it drags in places. At one point I thought “man this has been going for ages and we’re not even in the jungle yet” and looked at the timer to see I was only around 45mins in and there was still nearly two hours to go. I kinda feel like it could have benefited from a couple more sessions in the editing suite.

There was one thing I couldn’t work out - one of the 5 Bloods has a scene where he reconnects with a lady he had a relationship with during the war. But the thing is she is nowhere near old enough to have been in her 20s in the 1960s, and the daughter they had is also nowhere near old enough to have been born in the late 1960s. Was it an odd casting choice or was their underlying explanation for it? If anyone knows, let me know! 

So yeah, overall it was a bit of a odd experience. It has moments of good stuff, but for me, the down times were too many and too long. This would have been a much better movie if it had a shorter runtime, and less over-explaining of its political messaging.

I enjoyed watching this.

<em>'Da 5 Bloods'</em> is very good, it kept me watching with interest from beginning to end. The cinematography is tremendous, there are many great looking scenes in this; the whole look of the film is top notch.

The run time could've perhaps been shorter, but most war films tend to go on for a while to be honest. I will say that I didn't enjoy the start and end as much I did the middle, but there's still enough in there. I would also agree that some of the real life imagery used is unnecessary.

The cast are excellent. Delroy Lindo is, for me, the star of the 156 minutes. He gives an outstanding performance as Paul, one I won't be forgetting any time soon. It's always a pleasure to see Chadwick Boseman (Norman), while Clarke Peters (Otis), Norm Lewis (Eddie) and Isiah Whitlock Jr. (Melvin) are all likeable in their respective roles.

I unquestionably, with zero doubt, like those four in the lead roles, but man the original cast list would've been absolutely incredible. Could you imagine Samuel L. Jackson, Denzel Washington, Giancarlo Esposito and John David Washington in this?! Gutted it didn't happen, can't lie.

Not a perfect film, but one I certainly felt entertained by.

CinemaSerf

Ok, so a team of old African American soldiers decide to return to Vietnam to find the body of their colleague who was killed in action - and to retrieve some $17m worth of gold bars. En route they have to face some personal demons; an old girlfriend and the locals who have their own plans... It's not dreadful, but it certainly could not be described as Spike Lee anywhere near his best. The gang do emanate some sense of comradeship and loyalty, but in such a gung-ho fashion as to render the whole thing little better than a run-of-the mill Nicolas Cage style shoot 'em up effort with a really rather episodic and inevitable structure and a storyline remarkably indifferent to the indigenous population. Two and half hours is far too long, to. Looks great, though but sorry, more miss than hit for me.

Da 5 Bloods

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