Rosalie Chiang

Sandra Oh

Ava Morse

Hyein Park

Maitreyi Ramakrishnan

Orion Lee

Wai Ching Ho

Tristan Allerick Chen

James Hong

Lori Tan Chinn

Mia Tagano

Sherry Cola

Lillian Lim

Jordan Fisher

FINNEAS

Topher Ngo

Grayson Villanueva

Josh Levi

Sasha Roiz

Addie Chandler

Lily Sanfelippo

Anne-Marie

Evan Agos

Trinity Bliss

Devin Bright

Kimberly Brooks

Ian James Corlett

Juliet Donenfeld

Terri Douglas

Ellen Dubin

Alison Fernandez

Jack Fisher

Erin Fitzgerald

Poon Fong-Fong

Hadley Gannaway

David Hayter

Karen Huie

Sean T. Krishnan

Arif S. Kinchen

Paul Kwo

James Taku Leung

Lydia Look

David Chen

Kim Mai Guest

Caleb Jeon

Ethan Loh

Noel Mason

Jason Maybaum

Jaiden McLeod

Ulka Simone Mohanty

Iara Nemirovsky

Capri Oliver

Benjamin Plessala

Tsang Pui-Yee

Maddix Robinson

Zeno Robinson

Vivienne Rutherford

Violet Grace Schaffer

Mariel Sheets

Christian J. Simon

Artemis Snow

Sydney Thomas

Timothy Cheng Chi-Sing

Benjamin Valic

Shondalia White

Cedric L. Williams

Dovi Anderson

Guilherme Sauerbronn Jacinto

John Chun Chiu Lee

Eric Anderson

Lindsay Andrus

Brendan Beesley

Evan Bonifacio

Jude Brownbill

Shaun Chacko

Mariko Hoshi

Guillaume Chartier

Christopher Chua

Don Crum

Tomoyuki Harashima

Paul Diaz

Carolyn Ee-Kaiser

Aaron Koressel

Jeremy Lazare

YuehChih Eric Lin

Cameron Miyasaki

David S. Peng

Manuel Zenon Rodriguez

Michael Chia-Wei Chen

Brett Coderre

Joshua Dai

Brent Dienst

Todd Elliott

Graham Finley

Joey Gilbreath

Neil Helm

Janel Drewis

Bruce Kuei

Wendell Lee

Cody Lyon

Victor Navone

Andrew Perez

Jaime Landes Roe

Teresa Falcone

Robb Gibbs

Catherine Hang-Hicks

Rami Kasim

Ben Rush

Beril Pisgin-Saglam

Tal Shwarzman

Benjamin Su

Kristoff Vergne

Allison Rutland

Julian Teo

Michael Sauls

Mike Stern

Jessica Torres

Priscila de Borthole Vertamatti

Selen Atiker

Maya Tanaka

Christopher R. Carter

Andreas Dutz

Kelly Juarez

Christopher D. Lindsay

Mark-Leon Rivera

Jamie Ryan

Kristina Sepulveda

Beth David

Doug Frankel

Steve Mason

Daniel A. Rodriguez

Bruna Berford

Kirsten Yamaguchi

Guyu Liang

Christopher Sanchez

Lexi Diamond

Mahyar Abousaeedi

Jonathan Pytko

Nicholas C. Smith

Dan Scanlon

Sabine Koch O'Sullivan

Danielle Feinberg

Steve Bissinger

Coya Elliott

Ren Klyce

Jonathon Stevens

Stephen Urata

Domee Shi

Julia Cho

Sarah Streicher

Rosana Sullivan

Bill Presing

Rona Liu

Aaron Hartline

Patty Kihm Stevenson

Christian Hoffman

Steve Karski

Eric Andraos

Natalie Lyon

Kevin Reher

Kate Hansen-Birnbaum

Animation

Family

Comedy

Fantasy

Turning Red

Walt Disney Pictures

Pixar

United States of America

广州话 / 廣州話

普通话

한국어/조선말

Français

English

The digital animation geniuses at Pixar are back with “Turning Red” and it marks a departure for the studio known for the “Toy Story” and “Cars”, franchises.

Set in 1990s Toronto, the film centers around 8th grader Mei (Rosalie Chiang), who considers herself an adult at 13 and eagerly applies herself to school when she is not helping her family tour business at a local Temple or hanging with her friends.

Life comes crashing to a halt when after a traumatic day of embarrassment; Mei awakens in the form of a large Red Panda. In a panic, Mei attempts to hide her situation which causes her over-protective mother to assume it is Puberty related and that her hormones are kicking in.

Mei desperately wants to get her life back to normal and learns that as long as she is calm her Panda is under control. However, this proves to be harder than expected and soon Mei learns that the Panda is the result of a family bloodline but there is a way to end it during a Lunar ceremony in a couple of weeks.

Chaos soon follows as Mei struggles with her situation and must find a way to cope with the changes that are going on and make some very important decisions about her life and her future.

The film is a difficult one to review for me as never having been a teenage girl dealing with puberty, raging estrogen, and the issues that go with it.  That being said the film struggles to find a balance as it tacks on the capers of Mei in Panda form without being overly funny or charming and keeps the focus on Teen Angst, puberty-related issues and becoming an adult.

The film lacks the interesting characters, charm, and appeal that have set the foundation for so many Pixar films and it is surprising that a company that can elicit a range of emotions in an animated short fail to really connect with their latest feature. There were some amusing parts but the film as a whole was rather dull and lacked much in the way of humor and was very predictable.

The decision to put the film directly on Disney+ as the studio’s recent “Soul” and “Luca” was raised some controversy but in the end, I do believe it was the right decision as “Turning Red” is not likely to be a film that draws people to the cinema beyond the opening weekend.

It is a film that is a bold step for the company, but one that lacks the charm and humor of previous films as not everyone is going to want to sit through a feature-length film on teenage angst and dealing with changing bodies and the emotional turmoil that follows.  However, the target audience is likely to connect with the characters and it will be interesting to see what the reaction to the film is long-term.

3 stars out of 5

“Turning Red” will debut on Disney+ on March 11th

Manuel São Bento

FULL SPOILER-FREE REVIEW @ https://www.msbreviews.com/movie-reviews/turning-red-spoiler-free-review

"Turning Red is undoubtedly the riskiest, possibly the most divisive work in Pixar history. Without any remorse or restraint, Domee Shi and Julia Cho unapologetically approach the sensitive topic of (female) puberty in a quite shocking, positively impactful manner.

A narrative that unquestionably explores the hormonal, emotional, and sexual developments of its characters, conveying a message of self-acceptance and understanding of human evolution through its metaphors loaded with youthful excitement.

With the well-known technical attributes from the successful studio, this film will serve as an essential companion for all pre-teens who will deal with or are going through this inevitable and "inconvenient" phase of life.

One of the best movies of the year until this day."

Rating: A-

Well worth a watch, this.

<em>'Turning Red'</em> is a very good flick from Disney/Pixar. It's different in a way, I wasn't sure how it was going to turn out based on the first few minutes but by the end it provides the required and expected amount of entertainment and meaning.

The voice cast are excellent, I have no faults with them. Rosalie Chiang gives a performance full of energy in the lead role, while Sandra Oh puts in a strong display alongside Chiang. The rest of them are good too, as I also recognised James Hong and Lori Tan Chinn. Us UK viewers also have the bonus of a small role for Anne-Marie.

Giovanni

Full Analysis at Spotamovie.com - **Intro** - Pixar’s movies usually have great insights, and even with Turning Red, they provided us with meaningful messages to help our children and us grow our personalities and mindset. - **The Story** - Meilin is an energetic teenager ready to walk into the grown-up world. However, she needs to wear a mask when she is with her parents and another one when she is at school and with her friends. The risk to disappoint her family is too big for Meilin. But something unexpected will happen. Meilin’s life will change drastically because of a secret that lives within her family. When Meilin can’t control her emotions, a new version of herself will appear. But can you hold your feelings? - **Full Analysis and Explanation at** https://www.spotamovie.com/turning-red-review-and-explanation-critic-post-movie-disney-movie-2022

Really going to put people on blast for somehow not being able to relate to a movie with themes of controlling parents, puberty emotions, and body image just because it’s in the coat of 13 year old tween Asian angst, shouldn’t the fact that it’s more specific actually be more relatable if you have empathy?
Broke down at the theme of "never being good enough for parents", them having their ideas of my future vs. my own. Great music, best animation from Pixar in a while, super expressive.

CinemaSerf

This has quite a fun premiss but I guess I'm just the wrong demographic because I really struggled to get through it. "Meilin" is a thirteen year old girl going through the usual teenage angst sort of stuff - only, when she gets agitated she morphs into a giant panda. A red one. Her mother "Ming" is a bit over-protective and when her daughter announces that she wants to go and see a boy-band concert with her friends, a war of wills ensues. It soon turns out that these transformation skills run in the family, and huge great angry pandas are not to be messed with. The animation is fine and Eilish/O'Connell have written some fitting, if hardly their most memorable, numbers, but it is just too long and the theme recycles itself once too often for my old eyes. Colourful enough, but for me it just re-emphasised why I am very, very, glad I am no longer 13! (or even 31!)

Robert Grawey

Animation that makes me feel alive!! Right up there with Monsters Inc. for the funniest Pixar movie. It balances its tone well, the characters and world it builds are so much fun while still managing to hit emotional beats with ease. Films exploring generational trauma and emotional/personal repression are apparently my jam? Top-tier.

A beautifully animated movie that touches on real issues like parental pressure, coming of age, friendships, and most importantly...learning who you truly are and accepting all of you. The good and the bad.

Filipe Manuel Neto

**Pixar discovered anime and is looking to conquer the eastern box office.**

I had some expectations regarding this film. I don't know exactly what I expected, but I think everyone will understand if I say that the film is signed by Disney and Pixar, two studios with an enviable track record of successes. However, as soon as the film ended, I felt that I wasn't exactly the target audience for this film: male, over thirty, European, with little connection with pop culture or the anime world.

The film follows a young teenager, daughter of Chinese parents, in a somewhat cathartic experience in which she transforms into a friendly red panda. The film focuses on this transformation and turns it into a metaphor for a transformation called puberty, a discovery of one's own individuality and autonomy, particularly with regard to the relationship with one's parents.

The film is good, but the theme is… complicated. If it is absolutely true that most teenage girls will see themselves in some of the adventures that Mei experiences, it is no less true that many parents and guardians will face the topic with discomfort and raise some objections regarding a certain “apology of rebellion” that the film suggests. On a positive note, it was the first time I saw an animated film aimed at young audiences that addressed menstruation bluntly. The dialogues continue to insist, however, on that stereotype of the panicking teenager and the mother disturbed by the moment and insisting that, now, her daughter is a woman. This is stupid and conveys inaccurate ideas: a woman is a woman from before birth, from a biological point of view, and becomes a woman from a psychological and social point of view long after her first menstruation, when she begins to be old enough and mature enough to make their own decisions (the same applies to men, with the necessary reservations). In addition to these problems, the plot seems a little incipient to me, following paths that are quite obvious, opting for predictable solutions and creating basic characters. I could even talk about the amount of stereotypes about Chinese and Orientals present in this film… but do I need to talk about that?

The best thing about the film is the animations and the extraordinary quality of the drawings and effects. Pixar does not miss the opportunity to defend its credits and reputation in digital animation and offers us a feast for the eyes, with a realism and attention to detail that is difficult to overcome and that makes us think about the way technology has evolved in just a few years: “Toy Story” isn’t even thirty years old yet, and it already seems a little dated! Just one problem: I'm not a fan of anime at all. I think it's a very stylized, excessive, exaggerated type of animation. Unfortunately, this film adopts too many elements that are imported from the anime. Look at the eyes, the exaggeratedly large mouths, the sudden changes in the characters' poses or attitudes... you can't have one foot in two worlds at the same time.

Turning Red

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