Andrea Riseborough

Demián Bichir

John Cho

Lin Shaye

Jacki Weaver

Betty Gilpin

William Sadler

Frankie Faison

Nancy Sorel

Tara Westwood

Joel Marsh Garland

Stephanie Sy

Bradley Sawatzky

Robin Ruel

Ernesto Griffith

Robert Kostyra

Lorrie Papadopoulos

Derek James Trapp

Junko Bailey

David Lawrence Brown

Zoe Fish

John J. Hansen

Steven Ratzlaff

chrussy

Brandy Hagborg

Sean Skene

Corey Ticknor

Dallas Pomedli

Daniel Robidoux

RoseAnna Schick

Jeffrey Roy

Brent Bell

Jason Gibbs

Ashley Toews

Steve Forner

Erin Westerman

Roy Lee

Kristen Sawatzky

Mackenzie Fedoruk

Ryan Wuckert

Ernie Buck

BJ Verot

Neal Baksh

Andrew Gordon

Paul Tremblay

Tecla Scatliff

Heather Arabsky

Casey Harrison

Paul Suderman

Jeff Hammerback

Allen Fraser

Pam Simons

Junichi Hosoi

Corey Walker

Bogdan Zavarzin

Gabriel J. Serrano

Ben Zales

Asuka Sugiyama

Lauren D. Martin

Delf Gravert

Leah Erum

Paul Bercovitch

Nicholas Fitzgerald

Andrew Silver

John Powers Middleton

Romel Adam

Roberta Gale

Renee Minasian

C. Summer Holmes

Angelina Faulkner

Pernell L. Salinas

Aaron Merasty

Patrick Lima

Illia Popel

Rustam Gimadiyev

Eric R. Brodeur

Danielle Depeyre

Lindsey Bart

Aaron Mallin

Kari Rieger

Robert Lee

Brady Fujikawa

Krystle Snow

Chris Sol

Brooks Larsen

Sandra Soke

Julina Baber

Susan Dudek

Jeff Betancourt

Louis-René Landry

Eleanor Thiessen

Michael Baird

George Freeman

Aj Anderson

Denis Bois

Pieter Jongbloed

Rachael Poklitar

Timothy Clarkin

Joshua Adeniji

Jason Dotts

Fabiana Arrastia

Kelli Konop

Samantha Halas

Izak Mallin

Simon Schroeder

David Dinel

Ben Boxall

Boeseya Petra

Nicolas Pesce

Jeff Buhler

Takashi Shimizu

Sam Raimi

Robert Tapert

Takashige Ichise

Taylor Stewart

Andrew Grush

Laura Anania

Joseph Drake

Horror

Mystery

The Grudge

Ghost House Pictures

Good Universe

Stage 6 Films

Screen Gems

Canada

United States of America

English

Manuel São Bento

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

It's a brand new year, which means January gets to be the traditional "trash month" once again. In Portugal, it's actually one of the best months of the year since all of the Oscar-contender films are released (late) during these first few weeks. However, it still contains the formulaic action and/or horror movies. The Grudge, a reboot of a remake (because why not?), is the most recent addition to the group of horror flicks that no one really understands why they were produced.

I was never a fan of the film series, so obviously, I wasn't expecting much from a reboot of a franchise that always looked like a lazily cheap way of filming a few jump scare sequences with no remarkable storytelling. Nicolas Pesce shows some hints of talent regarding his filmmaking skills with some efficiently suspenseful scenes, but the aspect to blame in this type of movies is always the same: screenplay. I can't remember the last film I saw that treated the audience like the dumbest people alive. It truly becomes disrespectful. It's like the producers thought that the target audience for a horror flick was 5-year-old children.

It reaches a point where the movie itself feels like it's being very intelligent in the way it shares plot information. It creates this tense build-up, filled with characters almost dropping a big twist, and then... it's something so evident since the first few minutes of the film. This process repeats throughout the entire runtime. "Here comes a big twist! Are you ready? Watch out! Here it goes... BAM! You didn't saw that coming, did you?!"

Yes. We did. Everyone did. Even the theater supervisor who only shows up for a couple of seconds each half an hour was able to figure out everything that was happening. During the screening, I didn't know if I should laugh due to the ridiculously explicit plot points or if I should be frustrated for being treated like I was totally brainless. Everything about The Grudge feels painfully obvious. I try my best not to think too far ahead. I try not to predict what's going to occur or when a jump scare is going to happen. But this movie is so incredibly generic that I couldn't avoid knowing everything instinctively.

Story-wise or jump scares, it doesn't matter. Everything that Pesce tries to do, it's surrounded by such an aura of predictability that makes this horror film extremely dull. I mean, that's one of the worst feelings one can have while watching a horror movie, right? How can someone feel bored by a film constantly throwing jump scares and "massive" plot points every five minutes? Well, The Grudge was able to accomplish this miracle.

I don't know why The Grudge, as a film series, continues to exist. The first installment, which was itself a remake of the Japanese original, was a surprising box office success. Still, the majority of the audience and critics didn't really like the movie. The consequent theater releases were a disappointment. So, let's do a reboot of the remake, right? Nicolas Pesce seems to be a great filmmaker, he's able to easily generate tension and a dark environment, but such a huge misstep like this can hurt his career. The talented cast tries their best to bring this film to safe harbor, but the absurdly obvious, generic, formulaic, cliche story sunk the movie pretty hard. Its lack of surprising features, the extremely predictable jump scares, and the complete disregard for the audience, treating the viewers like the dumbest people ever, make The Grudge one of the worst horror films of the last few years.

Rating: D

Gimly

The fact that this is how my 2020 film-watching career starts seems like a **REAL** bad omen for this year.

Update: Oh boy.

_Final rating:★ - Of no value. Avoid at all costs._

Despite a fine cast, this latest entry (and quasi reboot) is pretty dull. I did like some of Pesce's direction and shots, but far too many of the cliched zingers from these supernatural-horror films. Probably won't remember very much about this in a few days (if not less)... **1.75/5**

SWITCH.

Although handsomely shot, with several good actors doing their best and a small handful of unsettling visuals, 'The Grudge' is ultimately a dull, disjointed mess that is riddled with cheap “boo!“ moments. I hope Pesce rebounds quickly from this failed effort in franchise-building and gets back to making the kind of idiosyncratic films he's clearly capable of.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-the-grudge-the-movie-reboot-curse-claims-another-victim

The Grudge

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