David Farrar

Kathleen Byron

Jack Hawkins

Leslie Banks

Michael Gough

Cyril Cusack

Milton Rosmer

Walter Fitzgerald

Emrys Jones

Michael Goodliffe

Renée Asherson

Anthony Bushell

Henry Caine

James Dale

Robert Morley

Sid James

Sam Kydd

Geoffrey Keen

June Elvin

Roddy Hughes

Bryan Forbes

Roderick Lovell

Elwyn Brook-Jones

James Carney

John Stratton

Emeric Pressburger

Brian Easdale

Nigel Balchin

Michael Powell

Christopher Challis

Clifford Turner

Madeleine Godar

Josephine Boss

Sydney Streeter

Hein Heckroth

John Hoesli

Jean Osborne

Jack N. Green

Dorrie Hamilton

Alan Allen

Dario Simoni

John von Kotze

Harry Pottle

Iris Tilley

George R. Busby

Archie Knowles

Ivor Beddoes

Peter Childs

Pat Sladden

Peter Butcher

Peter Meyers

Cyril Swern

Freddie Francis

Anthony Hopking

Wallis Smith

Ted Clements

Drama

Romance

The Small Back Room

London Films Productions

The Archers

United Kingdom

Český

English

Français

Norsk

Polski

Cymraeg

I must have a drink. Ask me to have a drink woman.

The Small Back Room (AKA: Hour of Glory) is directed by Michael Powell and Emeric Pressburger, with both adapting the screenplay from the Nigel Balchin novel. It stars David Farrar, Kathleen Byron, Jack Hawkins, Leslie Banks and Michael Gough. Music is by Brian Easdale and cinematography by Christopher Challis.

As the Germans drop explosive booby-traps across coastline England, Sammy Rice (Farrar) will be tasked with learning the secret to disarming the deadly devices. But first he must beat his private battle with alcohol, his form of self medication due to the loss of one of his feet.

The Archers produce what is in essence a tale of redemption, it's a superbly mounted drama dripping with realism and infused with atmospheric black and white photography. It somewhat divided critics back on release, but that tended to be customary where Powell was concerned, who himself wasn't sure about the validity of this particular piece. Yet it finds Pressburger and himself on sure footings, returning to more grounded human dramatics, their willingness to explore the murky fallibility of mankind is a thing of bold and effective cinematic beauty. 

The by-play between Farrar and Byron is sexually charged, but heart achingly poignant as well. The pic is at its best when these pair share scenes, the back drops to their troubled courting veering from vibrant (hope) to dour (despair), the latter always staged at Sammy's gloomy flat and the scene of a brilliantly filmed expressionistic nightmare that he suffers. Elsewhere various military types either stand tall or sit behind desks speaking in correct literary tones, their collective problem being that the pesky Germans have come up with a vile bomb tactic that needs addressing ASAP.

Can Sammy come through for not only the war effort, but also for his sanity? Watch and see, it's great film making across the board. 8/10

4K Restoration Trailer

The Small Black Room (1949)

The Small Back Room

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