Jean Marais

François Périer

María Casares

Marie Déa

Henri Crémieux

Juliette Gréco

Roger Blin

Edouard Dermithe

André Carnège

René Worms

Raymond Faure

Pierre Bertin

Jacques Varennes

Paul Amiot

Philippe Bordier

Claude Borelli

Jean-Louis Brau

Jean Cocteau

Renée Cosima

Jacques Doniol-Valcroze

René Lacourt

Julien Maffre

Claude Mauriac

Jean-Pierre Melville

Jean-Pierre Mocky

Henri San Juan

Victor Tabournot

Nicolas Hayer

Georges Auric

André Paulvé

Jacqueline Sadoul

Jean-André d'Eaubonne

Albert Volper

Marcel Escoffier

Alexandre Marcus

Émile Darbon

Jean-Marie Loutrel

Claude Pinoteau

Pierre-Louis Calvet

The Orphic Trilogy

Romance

Fantasy

Drama

Orphée

Films du Palais Royal

Andre Paulve Film

France

Français

Orpheus

CinemaSerf

Accomplished poet "Orphée" (Jean Marais) is sitting in a café with a friend one afternoon when a fracas breaks out with some local students that necessitates the intervention of the police and causes a tragedy to occur. A woman in a Rolls Royce turns up and asks her aides to put an injured man into her car. Shen then rather bossily requires the writer to accompany her as a witness. He assumes they are going to hospital, but it turns out the man - "Cegeste" (Edouard Dermithe) is already dead and that she (María Casares), well she is certainly not the "princess" she purports to be. If you're at all familiar with the "Orpheus" episode from Greek legend then you will be able to guess much of the rest of this as he finds himself embroiled in the plottings of Death. The complication here is that she takes a bit of a shine to him, and her chauffeur "Heurtebise" (Francois Périer) falls in love with his wife "Eurydice" (Marie Déa). My what a web we do weave. Now all in the underworld, a tribunal of death rules that things have not gone to plan and that the husband and wife are to be returned to their world - but only for so long as he doesn't look at her - else back she goes. A little unfair I thought given they'd done nothing wrong and weren't on the hit list in the first place - but that was the deal. Can they make it work? Now, do they even want to? I found Marais could be quite wooden at times, indeed he might have made for a decent "Tarzan" - but here he gels well with both Déa and with a strikingly effective Casares. Cocteau manages to integrate the ancient mythology within a modern day setting in a fashion that cleverly uses simple visual effects - and mirrors - to achieve the concept of a parallel world of "Hades" without making it all look ridiculously fake. He also manages to remove just about all the gooey sentiment from this romance, too. Next time you look at a pair of rubber gloves, though - best beware!

New trailer for Orphée - back in cinemas 19 October | BFI

Orpheus 1949 Movie Trailer

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Orpheus

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Актёрский состав 27:

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