Andrea Riseborough

Christopher Abbott

Jennifer Jason Leigh

Sean Bean

Tuppence Middleton

Rossif Sutherland

Kaniehtiio Horn

Raoul Bhaneja

Gage Graham-Arbuthnot

Gabrielle Graham

Christopher Jacot

Hanneke Talbot

Deragh Campbell

Ayesha Mansur Gonsalves

Matthew Garlick

Daniel Junghuan Park

Hrant Alianak

Rachael Crawford

Kathy Maloney

Megan Vincent

Danny Waugh

Dorren Lee

Doug MacLeod

Dorota Mitoraj

Kent McIntyre

Rory Knight-Jones

Brittany Morrison

Murray Barber

Sasha Pawluk

Yoann Malnati

Augustina Saygnavong

Ashley Binette

Rob Duckworth

Danielle Depeyre

John Bean

Shelby Lynn Black

Brett Hurd

Benjamin Martin Cocher

Erika Lobko

Rhiannon Dunets

Don Anderson

Pam Dixon

Carolyn Li

Natasha Aresenault

Manh Hiep Pham

Craig Morgan

Larissa Malarek

Erin Norah Thompson

Adam Craig

Mike Sokoluk

Nika Belianina

Margaret Demchenko

Jayme Hutchinson

Chris LeBlanc

Loreen Ruddock

Caitlin Cronenberg

Amanda Matlovich

Jeremy Jemec

Craig Harris

Mike Genereux

Johnny Askwith

Blayne Badge

Chris Monk

Brad Usher

Deirdre Bowen

Phil Carvalho

Martin Pavey

Renee Chan

Jim Troy

Debra Way

Ryan O'Connell

Kim Forrest

Joey Watson

Rivkah Weisdorf

Phillip Stall

Sara Brzozowski

Ken Porter

Tracy Bentley

Kirk Middleton

Scott Wales

Mara Zigler

Bryan Jones

Haakon Gustavsen

Jack Proops

Ian Neil

Jim Fleming

Paola Maiorana

Will Taggart

Christopher Richards

Andrew Starke

Christopher Warre Smets

Rob Davidson

Sam Hudecki

Darcy Arthurs

Margaret Hutz

Nikki Ruck

Hashim Alsaraf

Matthew Hannam

Frank Biasi

Johnathan Wei Dickinson

Grace Lan

Ben Cross

Ian Waggott

Elsa Scruton

Kelly Gilbert

Eric Harrison

Amelia Chiarelli

Mauricio Cuencas

Sydney Cowper

Jonathan Williams

Chris Hutchison

Ian Cole

David Antonacci

Spencer Wowk

Jamie Harris

Andrea Pirisi

Andrés Talegón

Dave Bishop

Dan Martin

Horror

Thriller

Science Fiction

Possessor

Rhombus Media

Rook Films

Particular Crowd

Arclight Films

Ingenious Media

Elevation Pictures

Australia

Canada

United Kingdom

United States of America

English

SWITCH.

The Cronenberg name is tightly associated with the body horror genre, and rightfully so. 'Possessor' feels like a fever dream, delivering unsettling violence, thought-provoking creativity and remorseless direction. Its revelations about the monsters within, summed up in its shockingly grim climax, have a lasting resonance.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-possessor-engrossingly-gross-cronenbergian-body-horror

Repo Jack

I just wrote a review about how mainstream critics don't "get" horror, elevating attempts at filmmaking "art" over the basics that horror fans love. "Possessor" is an exception where critics (72 Metacritic Score) and users (7.6 Metacritic Score) agree that it's a pretty damn good flick. 

The acting is excellent. Andrea Riseborough from "Mandy" is creepy odd (again) as a mind-possessing assassin, and Christopher Abbott from "It Comes at Night" is a depressed AND possessed soul for the next assassination. 

There are too many adjectives to list to give the film justice, so here's just a few: disturbing, violent, bloody, mind-bending, visual, provocative, 

While Brandon Cronenberg may have a similar interest in melding technology and horror as his father David Cronenberg, he is introducing his own style and originality. Very much like like Joe Hill has done with father Stephen King. 

All of which is nothing but a bonus for horror fans.

Manuel São Bento

If you enjoy reading my Spoiler-Free reviews, please follow my blog @
https://www.msbreviews.com

In a year where the horror genre didn't have that many great representatives, Brandon Cronenberg's remarkably captivating concept is an instant attention-grabber. Boasting two phenomenal performances from Andrea Riseborough and Christopher Abbott (Colin Tate), Possessor is one of the most visually shocking films of 2020.

From the extreme gore to the unrestrained depiction of insanely violent murders, Cronenberg fills his movie with creepy imagery that will definitely trigger many viewers to simply give up. Its slow pace helps establish the never-ending suspenseful atmosphere, which ultimately delivers some of the most intense sequences I've seen in a long time.

Despite the interesting narrative and its eye-opening developments, Possessor fails to keep the momentum going throughout the entire runtime. The weird imagery helps with visual storytelling, but it reaches a point where it becomes too distracting and unnecessary. The third act is also quite predictable, contrasting with the somewhat surprising first half.

In the end, it's still one of my favorite horror films of the year.

Rating: B+

Q&A at the BFI London Film Festival 2020

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Possessor

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Актёрский состав 23:

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