Randolph Scott

Joan Leslie

Ellen Drew

Alexander Knox

Richard Rober

John Russell

Alfonso Bedoya

Guinn "Big Boy" Williams

Clem Bevans

Cameron Mitchell

Richard Crane

Frank Sully

Don Beddoe

Tennessee Ernie Ford

Frank Hagney

James Kirkwood

George Lloyd

Kermit Maynard

Dorothy Phillips

Ada Adams

Bob Burns

Roydon Clark

James Dime

Frank Ellis

Joe Garcio

Curley Gibson

Herman Hack

Al Haskell

Reed Howes

James Pier Mason

David O. McCall

Kansas Moehring

G. Raymond Nye

Frank O'Connor

Artie Ortego

Carlos Rivero

Ray Spiker

Rosa Turich

Peter Virgo

George D. Wallace

Blackjack Ward

Blackie Whiteford

Kenneth Gamet

André de Toth

Ernest Haycox

Charles Lawton Jr.

George Brooks

Charles Nelson

Frank Tuttle

Willard M. Reineck

Frank Goodwin

George Duning

Morris Stoloff

Harry Joe Brown

Herbert Stewart

Western

Man in the Saddle

Columbia Pictures

Scott-Brown Productions

United States of America

English

Rancho Skulduggery.

Man in the Saddle is directed by Andre De Toth and adapted to screenplay by Kenneth Gamet from the novel written by Ernest Haycox. It stars Randolph Scott, Joan Leslie, John Russell, Ellen Drew, Alexander Knox, Richard Rober and Guinn Williams. Music is by George Duning and cinematography by Charles Lawton Jr.

More known and rightly lauded for the series of Western films he made with Budd Boetticher, it often gets forgotten that Randolph Scott also had a long working relationship with Andre De Toth. Man in the Saddle was the first of six Western films the two men would make together, and it’s a pretty impressive start.

Sometimes you see words such as routine and standard attributed to a lot of Westerns from the 1950s, and Man in the Saddle is one such film that’s unfairly tarred with that brush. Not that the narrative drive is out of the ordinary, the plot essentially sees Randy as a peaceful farmer forced to get nasty when evil land baron flexes his muscles, but the zest of the action, the stunt work, the colour photography (Lone Pine as always a Mecca for Western fans) and Scott, mark this out as a thoroughly entertaining production.

Characterisations carry a bit more psychological smarts than your average “B” Western of the era. There’s a four way tug-of-love-war operating that is clearly going to spell misery, pain and death for somebody, a capitalist slant that bites hard with its egotistical bully boy overtones, while the obsessive behaviour of the principal players adds another dark cloud over this part of the West. Then there is the action scenes, of which De Toth once again shows himself to be a darn fine purveyor of such directional skills.

And so, we get an ace runaway blazing wagon sequence, a stampede, a quite brilliant gunfight in a darkened saloon, a mano-mano fist fight that literally brings the house down – and then continues down a steep ravine, and the closing shoot-out played out during a dust storm doesn’t lack for adrenalin rushes. Scott is once again a bastion of Western coolness, more so when he throws off the bright attire he wears for the first half of film, to then switch to black clothes that signifies he’s going all bad ass on those who have caused him grief.

Undervalued for sure, both as a Scott picture and as a Western movie in general. Don’t believe the routine and standard scare mongers, there’s good craft here and it’s a whole bunch of Oater fun. 7.5/10

Man in the Saddle

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