Claes Bang

Elisabeth Moss

Dominic West

Terry Notary

Christopher Læssø

Lise Stephenson Engström

Lilianne Mardon

Marina Schiptjenko

Annica Liljeblad

Elijandro Edouard

Daniel Hallberg

Martin Sööder

John Nordling

Maja Gödicke

Nicki Dar

Josephine Schneider

Sofie Hamilton

Robert Hjelm

Anna-Stina Malmborg

Gunnar Häglund

Nina Strand

Erik Sundfeldt

Peggy Johansson

Jonas Dahlbom

Sofica Ciuraru

Stefan Gödicke

Mia Svenheimer

Per Magnus Johansson

Erika Jareman

Julia Sporre

Clemens Poellinger

Copos Pardaliam

Pauline Hansson

Pierre Elmqvist

Madeleine Barwén Trollvik

Tiby

Johan Jonason

Bo Melin

Sonya Flores Espinosa

Joakim Lamotte

Kolya Hardy

Bobcats

Eva Kumler

Robert Oskarsson

Kalle Soukas

Jan Wallin

Roger Andersson

Geica Pruteanu

Marcel Macau

Simona Ciuraru

Papusa Ciuraru

Omar Ahmed

Ceikh Secka Sosse

Oliver Roque Sakari

Ali Al-Anbari

Mohammad Admirza

Torleif Svensson

John Rindefjäll

Mikael Olsson

Julia Frej

Nicole Walker

Konrad Olsson

Jimmy Guo

Christel Elsayah

Holly Astera

Sara Bourke

Peter Vitanen

Amélie Juliusson

Linda Anborg

Emelie Beckius

Peter Díaz

Sarah Giercksky

Fareed Ahmedi

Daniel Kristiansson

Janet Leon

Uri Levanon

Jan Lindwall

Iman Mirbioki

Marga Pettersson

Moa Enqvist Stefansdotter

Henric Wassberg

Cicci Green

Alexander Bohr

Ruben Östlund

Katja Adomeit

Philippe Bober

Anna Carlsten

Dan Friedkin

Erik Hemmendorff

Olivier Père

Bradley Thomas

Jacob Secher Schulsinger

Josefin Åsberg

Sofie Krunegård

Daniel Garptoft

Vincent Larsson

Fredrik Wenzel

Erica Spetzig

Rikard Waxin

Sandra Lindgren

Klas Jansson

Peter Naguib

Eugenie Norlin

Eva Torsvall

Sara Kristoffersson

Ulf Olausson

Nils Aré Viken

Bent Holm

Andreas Franck

Johan Harnesk

Maria Shalijah Humangit

Claes Dietmann

Samir Arabzadeh

Johan Edström

Tomas Näslund

Sofia Larsson

Elias Branner

Tobias Henriksson

Christopher Norin

Gunhild Enger

Tanja Grunwald

Fijona Jonuzi

Rasmus Thord

Linus Björk

Jonathan Ridings

Ludwig Källén

Tomas Eskilsson

Agneta Perman

Kalle Boman

Sarah Nagel

Isabell Wiegand

Drama

The Square

ZDF/Arte

Plattform Produktion

ARTE France Cinéma

Coproduction Office

Essential Filmproduktion

Imperative Entertainment

Film i Väst

Société Parisienne de Production

Denmark

France

Germany

Sweden

United States of America

Dansk

svenska

English

I'm not a great fan of dramas, but this was an entertaining film. I gave this 4 stars just for the ape scene.

CinemaSerf

I maybe just wasn't in the right mood for this, but after about half an hour I really didn't much care what happened to "Christian" (Claes Bang), or pretty much anyone else. He runs one of those galleries that puts a glass of water on a dusty shelf and calls it art. You know, emperor's new clothes kind of stuff. His latest "exhibition" is designed to remind the public of their responsibilities to each other but his focus is diverted when he is the victim of a pickpocket. No phone. No wallet. He devises an unique way to get them back by putting a note through all of his neighbours' letter boxes delivering an accusatory ultimatum. Curiously enough, that's not the only stupid idea he has as this rather plodding drama meanders it's way from one bad decision to another for 2½ hours. It reaches it's most bizarrely surreal when the entertainment - "Oleg" (Terry Notary) - at a very fancy fund-raising dinner goes quite spectacularly wrong, but there are plenty other daft scenarios as he tries to sort out a marketing campaign, manage a curiously sterile relationship with "Anne" (a dreadfully wooden Elizabeth Moss) and deal with an increasingly exasperating kid (Elijandro Edouard) who seems to think his own family think he nicked the stuff! To be fair to Bang, he does manage to imbue quite a decent degree of insufferable arrogance as his pompous character finds all of his comfort blankets taken away and himself exposed to a society that couldn't care less, indeed is even openly critical, of his obvious double standards. I did like the premiss, but auteur Ruben Östlund indulges himself too completely for me, and I was frankly bored by the end. Maybe a tightening edit could help refocus the humour and the moral of the story? Sorry - not for me.

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The Square

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