Julianne Moore

Annette Bening

Mark Ruffalo

Mia Wasikowska

Josh Hutcherson

Yaya DaCosta

Kunal Sharma

Eddie Hassell

Zosia Mamet

Joaquín Garrido

Rebecca Lawrence Levy

Lisa Eisner

Eric Eisner

Sasha Spielberg

James MacDonald

Margo Victor

Stuart Blumberg

Diego Calderón

Amy Grabow

Nino Nava

Celine Rattray

Jeffrey Kusama-Hinte

Phillippe Hellmann

Lisa Cholodenko

Daniela Taplin Lundberg

Gary Gilbert

Julie Berghoff

Mary Claire Hannan

Igor Jadue-Lillo

Jeffrey M. Werner

Nancy Richardson

Mark Norby

Carter Burwell

Andy Sawyer

Christy Scott Cashman

J. Todd Harris

Anne O'Shea

Joel Newton

Galt Niederhoffer

David A. Cook

Charles E. Bush Jr.

Steven Saxton

Bergen Swanson

Todd J. Labarowski

Laura Rosenthal

Neil Katz

Ron Stein

Riva Marker

James Connelly

Camille Moreau

Jordan Horowitz

Toni Kallen

Cassidy Vick Hice

Comedy

Drama

The Kids Are All Right

Focus Features

Mandalay Vision

10th Hole Productions

Gilbert Films

Saint Aire Production

Artist International

Antidote Films

Artist International Management

United States of America

English

Filipe Manuel Neto

**A “gay friendly” film that manages to be minimally neutral to also please those who are out of political and ideological struggles.**

The troubled causes have never been so popular as they are today: from abortion to euthanasia, from the historical question between colonizing and colonized countries to the return of looted artworks by European museums, passing through the causes of the Gay Movement, whose acronym grows every year, to embrace any new definition invented for each way of feeling and living sexuality, reflecting a need for affirmation that is felt more strongly than the convenience of presenting a certain union in the ranks. This “gay friendly” film fits perfectly into a growing list of cinema works dedicated to scrutinizing the dynamics of these new families. The advantage of this film is that it is not overly militant.

The script introduces us to two mature women, who live in a stable lesbian relationship and who decided to get pregnant, by artificial insemination (obviously the more traditional method was discarded for obvious reasons), the semen donor was the same and the children who were born are, therefore, half-siblings on the part of the father (whom they do not know). It is precisely the search for her biological father and the creation of a closer relationship with him that takes the plot forward, with the introduction of this friendly and uncomplicated man totally destabilizing the life of that house.

I liked the movie in general. At the same time that it tries to deny that idea, much replicated, that two lesbians would instill their own sexual orientation in their children, the film seeks to create a question around the inviolability of the anonymity of the donors of seminal material… I cannot speak for everyone, but I would never donate semen if I suspected that, years later, someone might have knocked on my door and said he was my son. Anonymity is something that should be inviolable and sacred here, regardless of the will of those involved. It was the point in the script that bothered me the most, but there were a few more.

For me, the strongest point of the film ends up being the cast and its very good performance, strongly supported by a duo of veterans: Julianne Moore and Annette Bening. Both are amazing in their characters, and they establish an excellent working dynamic and good chemistry. Mia Wasilowska and Josh Hutcherson, both still quite young, are a nice and refreshing addition to the cast, both of whom seem to be really enjoying what they're doing. Besides, we all know them nowadays, because they are two young stars. Although it's not that interesting, I have to admit that I liked Mark Ruffalo's work. I think his character was poorly thought out, and poorly written, but the actor manages himself very well and knows how to get around the obstacles that appear.

It's not a technically remarkable film, it's notable that it didn't have a superb budget, and that it was a job done thanks, in part, to the extreme dedication of everyone involved. It doesn't have amazing cinematography and editing, but what it's done works well and is effective. The film has a pleasant, light pace, and a humorous and uncomplicated atmosphere.

Meeting The Donor After 20 Years

Nic & Jules Are Asked A Serious Question

Official Trailer

The Kids Are All Right

производственные компании

Актёрский состав 20:

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