Ennio Morricone

Silvano Agosti

Alessandro Alessandroni

Fausto Ancillai

Dario Argento

Joan Baez

Sergio Bassetti

Bruno Battisti D'Amario

Marco Bellocchio

Bernardo Bertolucci

Marco Biscarini

Walter Branchi

Gilda Buttà

Caterina Caselli

Enzo G. Castellari

Liliana Cavani

Marina Cicogna

Furio Colombo

Mychael Danna

Brian De Palma

Alessandro De Rosa

Edda Dell'Orso

Sergio Donati

Clint Eastwood

Roberto Faenza

Eva Fischer

Daniele Furlati

Marco Tullio Giordana

James Hetfield

Phil Joanou

Roland Joffé

Quincy Jones

Wong Kar-wai

Barry Levinson

Andrea Leone

Raffaella Leone

Claudio Mancini

Miranda Martino

Franco Migliacci

Terrence Malick

Pat Metheny

Giuliano Montaldo

Gianni Morandi

Antonello Neri

Enzo Ocone

Gino Paoli

Antonio Pappano

Mike Patton

Goffredo Petrassi

Enrico Pieranunzi

Franco Piersanti

Nicola Piovani

Tonino Poce

Boris Porena

David Puttnam

Dulce Pontes

Paul Simonon

Sergio Sollima

Bruce Springsteen

Oliver Stone

Quentin Tarantino

Paolo Taviani

Vittorio Taviani

Giuseppe Tornatore

Fabio Venturi

Carlo Verdone

Edoardo Vianello

Lina Wertmüller

John Williams

Bruno Zambrini

Ettore Zeppegno

Hans Zimmer

Zucchero

Massimo Quaglia

Fabio Zamarion

Annalisa Schillaci

Gilberto Martinelli

Giancarlo Leggeri

Gabriele Costa

Gianni Russo

Alice Chan Wai-Chung

Chan Ye-cheng

Chizu Ogiya

Migiwa Nakata

Satomi Odake

Naoko Takahashi

Alessandra Tieri

Jacky Pang

Tatsumi Yoda

Documentary

Music

History

Ennio

Potemkino

Piano B

Lucky Red

Blossoms Island

Block 2 Pictures

GAGA Corporation

Belgium

China

Germany

Italy

Japan

Netherlands

English

Italiano

CinemaSerf

This is a must see for fans of great cinema music. Perhaps alongside John Williams and John Barry, the eponymous maestro has scored in an unique and innovative way, a great many films since the 1960s and this film tracks how he rose from a classical music training to an (eventual) Oscar winner. It does suffer from the perennial problem of films like this, we see (and hear) too little of his marvellous works - especially my own favourite "Ecstasy of Gold" - but the narrative offers a quickly paced series of contributions from those well known, and those less so. It is astonishing just how many films he did provide the music for, some of it truly memorable and some of it truly dreadful - but here we see a man who never shied away from pushing the boundaries. His creative use of vocals, even of a typewriter to create his sounds demonstrates well his almost boundless imagination. Though at times a little dry, this documentary lays that skill and passion engagingly before us. Bertolucci, Eastwood and Joffé all contribute in a fashion that avoids the adulatory, and makes this an enjoyable chronology not just of Morricone himself, but of world cinema too.

Ennio

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Актёрский состав 73:

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