Marion Cotillard

Louis Garrel

Àlex Brendemühl

Brigitte Roüan

Victoire du Bois

Aloïse Sauvage

Inès Grunenwald

Jihwan Kim

Daniel Para

Ange Black-Bereyziat

Victor Quilichini

Francisco Alfonsin

Julio Bollullo Carasco

Sören Rochefort

Elian Planes

Mathilde Dromard

Camilo Acosta Mendoza

Folco Jullien

Maxime Flourac

Rabea Egg

Frédéric Bélier-Garcia

Pierre Brichese

Pierre Alloggia

Arthur Igual

Jérôme Chappatte

Michelle Goddet

Anne Crestey

Françoise Fregonese

Jean-Pierre Laforce

Corinne Logiacco

Sandrine Jarron

Stéphanie Guillon

Franck Tassel

Raphaël Mouterde

Leonor Greyl

Pascal Chauvin

Éric Chevallier

Cécile Deleu

Alain Attal

Catherine Leterrier

Arnaud de Moléron

Christophe Beaucarne

Nicole Garcia

Richard Rousseau

Milena Agus

Christophe Oliveira

Nicolas Mouchet

Tim Martens

Simon Jacquet

Fernando Victoria de Lecea

Jacques Fieschi

Sébastien Matuchet

Jacques Royer

Xavier Amblard

Stéphane Batut

Daniel Pemberton

Drama

Romance

Mal de pierres

Les Productions du Trésor

StudioCanal

Lunanime

France 3 Cinéma

Belgium

France

Français

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From the Land of the Moon

CinemaSerf

From an early age, "Gabrielle" (Marion Cotillard) has shown a bit of a rebellious spirit. As a girl, she was determined not to obey her parental wish to marry the local "Jose" (a subtly nuanced effort from Alex Brendemühl) - even though he was quite fond of her, and as a result she lived in the semi-seclusion that befitted an unwed girl in rural France. Her "break" comes in the unlikely form of some kidney stones that necessitates a trip to an Alpine hospital. It's here that she encounters the recovering "André" (Louis Garrel) who has just returned from French Indochina shell-shocked and badly wounded. There's a little of a Wildred Owen poem to this drama, I thought. It shows us the results of the horrors of war, the after effects and trauma, but there's also a degree of hope and optimism as their love story takes shape and maybe, just maybe, there's scope for contentment somewhere. Cotillard is on solid form as the rather self-obsessed and just a bit flaky "Gabrielle" and though Garrel doesn't have so much to do, he still comes across convincingly as a soldier conflicted by a reality and a dream - it's that conclusion that is quite a touching affair, and causes us to have a think about just who "Gabrielle" actually is. The film looks good and is well scored by Daniel Pemberton which all gives a certain lustre to Cotillard's portrayal of a woman I don't think I'd have liked very much.

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From the Land of the Moon

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