Jaeden Martell

Sophia Lillis

Jack Dylan Grazer

Finn Wolfhard

Jeremy Ray Taylor

Wyatt Oleff

Chosen Jacobs

Bill Skarsgård

Jackson Robert Scott

Nicholas Hamilton

Stephen Bogaert

Stuart Hughes

Owen Teague

Molly Atkinson

Jake Sim

Logan Thompson

Katie Lunman

Geoffrey Pounsett

Pip Dwyer

Steven Williams

Elizabeth Saunders

Megan Charpentier

Joe Bostick

Ari Cohen

Anthony Ulc

Javier Botet

Carter Musselman

Tatum Lee

Edie Inksetter

Martha Gibson

Kasie Rayner

Isabelle Nélisse

Jocelyn Mattka

Donald Tripe

Liz Gordon

Paige Rosamond

Neil Crone

Sonia Gascón

Janet Porter

Memo Díaz Capt.

Chantal Vachon

Roberto Campanella

Cyndy Day

David Katzenberg

Bobby Leigh

Kate Moyer

Sherry Nelson

Jimmy Star

Kelly Van der Burg

James Magwood

Jennifer Murray

Avery Queffelec

Canaan Davison

Ilora Rosenberg

Bauston Camilleri

Chad Camilleri

Kendrick Wallace

Cam Fergus

Aj Risi

Nicholas Brooks

Dustin Faith

Vincent Rother

Ciara Jones

Neil Davison

Tom Farr

Bryan J. Thomas

Brayden Jones

Tim Williams

Michael Carella

Mark Purcell

Brent Jones

Janine Parkinson

Lara Ramirez

Katharine Duke

Stephen Nakamura

Angelo Colavecchia

William Conrad

Brice Liesveld

Dan Bronson

Brooke Lyndon-Stanford

Andy Muschietti

Stephen King

Dan Lin

Jon Silk

Jason Ballantine

Seth Grahame-Smith

Bárbara Muschietti

Chung Chung-hoon

Marty P. Ewing

Rich Delia

Roy Lee

Rosalie Board

Claude Paré

Emily O'Quinn

Wayne Anderson

Jeff Derushie

Daniel Carrasco

Glen Gauthier

Steven Kostanski

Warren Appleby

Neil Morrill

Peter Grundy

Debra Manou

Dana Sano

Robin M. Reelis

Sylvain Arseneault

Stephanie Gorin

Linda Dowds

Janie Bryant

Christina Pitts Jazzar

Ryan Reed

Brad DeWolde

Penny Charter

Richard Cowan

Jon Chan

Michael Derrah

John Mackenzie

Paul Hackner

Steve Switzer

Nick Lopez

Sandor Mate

Ron McKenzie

Adam Bocknek

David DeMarinis

Eric Deros

Henry Ilola

Rob McCallum

Sorin Popescu

Nicola Weston

Dera Veinot

Simeon Wilkins

Lise Richardson

Laurel Bresnahan

Jordana Lieberman

Glenn Carter

Shane B. Scott

Kenny Meinzinger

Brett Pierce

Adam Dougherty

Andrew Pritchard

Brenton Brown

Dave Rosa

Gail Marks

Adam Richard Benish

Ryan McCaffrey

CJ Woodley

Stephanie Ingram

Andrew Lindell

It Collection

Horror

New Line Cinema

Vertigo Entertainment

Lin Pictures

KatzSmith Productions

United States of America

English

Simon Foster

"Skarsgård goes to hell and back to craft a truly malevolent creation, utterly believable as the black soul of King’s cursed small town..."

Read the full review here: http://screen-space.squarespace.com/reviews/2017/9/6/it.html

Nay Myo Myat Ko

**This movie went right to the trash.** I cannot believe what Warner Bros has done for this piece of trash.
Yes, there have been rave reviews for this movie, but we recommend that you do not mind them, as we should not be teaching children on how to safely get sodomized by a monster.

These directors' brains are also in the trash. Now let's put the MPAA R rating right into the trash where it is supposed to go. Final warning: **Don't let your kids watch trash.**

Gimly

More _Fucked-Up-Coming-of-Age_ than _Monster-Movie-Slasher-Horror_. Which is what it should be, but perhaps not what it's marketed to be. Stephen King's _It_ is one of my all time favourite books, and I don't know that it will ever get a faithful adaptation (totally understandable seeing as the thing is 1200 pages and contains a multi-book spanning mythology of Space Gods and Turtle vomit), but this does a pretty good job of interpreting the feeling of the novel, even if it's not a great adaptation the events as a whole.

The kids are all great, Skarsgård makes for a good Pennywise, Pennywise improves as the piece moves forward, and the town is completely believable as "Derry" in the '80s. It may not be all it's purported to be, but is a very impressive film on its own merits.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

If you are gonna watch this movie go to the theatres and watch it...It's way more scarier than Annabelle: Creation and you will have lots of jump scares too.

Frank Ochieng

Something certainly rings true in the horror thriller **It** that capitalizes on that common known fear that clowns are creepy annoyances to those that have an intense phobia towards them. In the case of **It’s** dastardly powder-faced joyboy or shall we say corrosive killjoy Pennywise the Dancing Clown, he definitely takes the cake in terms of his treacherous tendencies to quiet the unsuspecting kiddies in devious fashion. Here is a tip, parents, do not invite the poisonous Pennywise to your kids’ birthday party any time soon to blow up balloons and sing songs. This is just a friendly little warning. There is more to elaborate on regarding the sicko circus funnypants freak later.

Director Andy Muschietti (‘Mama’) delves into this surprisingly delicious twisted and terrorizing tale of a killer clown that gets his jollies off snuffing the lives out of rural-based youngsters in this calculating frightfest that pushes all the right buttons of panic and perversion. Skilfully edgy and traumatically tasty, **It** is a refreshing throwback to old-fashioned gory-minded gems where the boundaries of old-fashioned scare tactics were designed not only by the actual act of homicidal happenings but the mere suggestive nature of the heinous hedonism taking place. Polished and gripping in its shadowy and shifty overtones, **It** is convincingly probing as an absorbing psychological character study with an off-kilter sense of defiance in its naughty commentary on youthful innocence being compromised.

Based on the novel from famed hair-raising author Stephen King, **It** delivers the solid, sordid goods of a wild and wicked imagination following the acidic exploits of a menacing clown in the aforementioned Pennywise (played with penetrating  and devilish aplomb by Bill Skarsgard from ‘Atomic Blonde’) whose murderous methods of slaughtering the young has been a staple signature in his madness for centuries now. The surviving tykes in the quaint town of Derry, Maine must now safeguard themselves from the makeup-wearing whackjob and figure out a way to terminate the baggy-panted beast before he continues to strike again and victimize another doomed child.

The backstory behind Pennywise’s existence is that he is some shape-shifting demon that emerges from the sewers only to target the unlucky rugrat in his immediate path while conniving, and conducting his blood-thirsty ways. However, there are a group of children that refuse to play dead for the demented clown and the quest to create an ill-advised showdown with the deplorable Pennywise would prove to be a very violent and mentally scarring experience in the process.

The story centres around young Bill (Jaeden Lieberher, ‘Allegiant’) and his early encounter with the sadness of unknowingly witnessing Pennywise’s wrath as it was inferred that the clown had to do with the demise of his precious little brother, George (Jackson Robert Scott), who never returned after enthusiastically wanting to work on a fun project in the basement. This haunting revelation sticks with poor Bill until this very day.

Nowadays, Bill must cope with the typical obstacles at school avoiding bullies and dealing with the pitfalls of peer pressure and needing to belong to a group of trusty associates. Thus, Bill is able to cement close relationships with the town’s other free-spirited youngsters. Still, there is that hovering myth about the mysterious sewers and, yes, the evil-minded Pennywise is at the forefront of fearful concern for Bill and the bunch. In fact, the gang will succumb to their collection of fears, paranoia and hesitation as the suburban legend of the creep-seeking clown clouds each of the kids’ tainted psyches.

The ensemble of young actors in **It**  all register accordingly with their characters’ childhood shock in trying to overcome the overwhelming and petrifying mindset that has invaded their sensibilities. Lieberher has an authentic raw turn as the lead lad invested in the bizarre boundaries of matching wits with the demonic chalk-skinned trickster and his committed craziness. The other supporting cast of exposed kiddies on this adventurous train wreck of terror includes Sophia Lillis (’37’), Finn Wolfhard (from television’s ‘Stranger Things’), Jeremy Ray Taylor (‘Alvin And The Chipmunks: The Road Chip’), Wyatt Oleff (‘Guardians Of The Galaxy”), Chosen Jacobs, Jack Dylan Grazer (‘Tales Of Halloween’) and Nicholas Hamilton (‘Captain Fantastic’).

There is no doubt that Skarsgard’s clown of corrosion in Pennywise steals the show with his nefarious nature blistering shamelessly in seedy-minded elation. Clearly, Skarsgard chews the tarnished scenery with his abominable costumed cretin tip toeing on the unassuming sidelines while striking gory goosebump moments for his pubescent prey on screen and the twitchy audience off screen.

Sure, **It** suffers from the conventional trappings of cheesy false alarm jolts and the obligatory lurking in the dark sequences are arbitrarily tossed in as an aftermath for the legitimate lunacy of our star-making crazed and corruptible clown to perform his showboating insanity. Besides, what horror showcase has not welcomed the invitation of the overused and abused jump-scare techniques highlighted by a jittery soundtrack? Still, Muschietti and screenwriters Chase Palmer, Cary Joji Funkunga and Gary Dauberman manage to supply the infectious and insidious **It** with well-executed scary shenanigans, well-paced anxiety, wavering vulnerability and decent acting on behalf of the performers that aptly brought to life the eerie visions and vitality of King’s complex, creative mind.

Truly **It** is one of the best harrowing and in-depth horror/psychological thrillers to emerge in 2017. Also this titillating tale of cautionary kiddie chaos may be one of King’s formidable movie adaptions since the effective tension-filled, off-the-wall brilliance of 1990’s _Misery_.    

**It** (2017)

Warner Bros. Pictures and New Line Cinema

1 hour 35 minutes

CAST: Bill Skarsgard, Jaeden Lieberher, Sophia Lillis, Finn Wolfhard, Jeremy Ray Taylor, Wyatt Oleff, Chosen Jacobs, Nicholas Hamilton and Jack Dylan Grazer

DIRECTOR: Andy Muschietti

WRITERS: Chase Palmer, Cary Joji Funkunaga, Gary Dauberman

MPAA Rating: R

GENRE: Horror/Mystery & Suspense

Critic’s Rating: *** stars (out of 4 stars)

(c) **Frank Ochieng** 2017

It is a movie that looked interesting, but I wasn't necessarily anticipating, because it had the potential to be awful. After seeing it, I can say that while it is good, I don't think it's nearly as good as other people are saying it is, and it had the potential to be. Starting off with the good, the film has some fantastic performances from the kids. I think the best performances in the film are from Andy Skaarsgard (or however you spell it) for Pennywise, and the kid who had asthma. I don't know his name, and I haven't seen him in anything before, but he stole the show. The movie also has some pretty scary moments. The scene inside of the house is one of the scariest scenes of the year, and there are lost of images that were genuinely disturbing. While the films was full of cheesy dialogue, the conversations between the kids are extremely entertaining and captivating. When it came to characters, MOST of the characters are well done and fleshed out. And that leads me to one of the 4 things that keep this film from being great in my eyes. Some characters, such as the bullies and Stan, and bland and have no back story. Therefore, whenever they are put in danger, it isn't nearly as scary as with other characters. Another reason I didn't love this film is the rock fight scene. Basically, the Losers Club stumbles upon the bullies and they throw rocks at each other. The rocks seemingly bounce off of their head without any problems like a trampoline. No one gets killed, or even knocked out. Overall, it was a very bad scene. For the most part the special effects were pretty good. However, the leper outside of the creepy house was awful. The costume would be great if it were for a haunted house or prank, but not for a big budgeted horror movie. When it came on screen I literally thought it was a bully playing tricks on him. And the last problem I have with the film is that the police are seemingly nowhere, along with parents. *Mild spoilers* One of the bullies murders his dad, a police officer, and then around a few scenes later, the son dies too. The bullies like to go around thereatening kids with knives and carving H's into their bellies. I think we would see at least one police officer investegating something in the film, and if not, I think my parents would notice if one day I came home and there was a gigantic blood pool on my shirt. Overall, It is a very fun movie. There are certainly better movies out there, but with this, I have an urge to go watch it again in theaters. It is a perfectly fun popcorn flick.

Score: 7.5/10

Great acting, memorable characters. One of the best (horror?) films I've watched.

Andre Gonzales

Greatest remake of a movie ever made in my opinion. Even way scary then the original. Remade the death scenes way better as well. Love it!

CinemaSerf

Every 27 years, the town of Derry experiences sudden, violent and inexplicable mayhem. In 1989, a group of school children rather unkindly called "The Losers Club" decide it is for them to investigate just what has happened. Led by "Bill" (Jaeden Martell) whose younger brother was a victim, these brave kids are soon on the trail of the shapeshifting "Pennywise" - a being from another dimension who frequently takes the shape of a clown. Question is - are these youngsters any match for this lethal and despicable foe? Andy Muschietti has done well here with this film. He manages to combine the more traditional spookiness of the old dark house, with a group of likeable characters who demonstrate the benefits of trust and teamwork as they take on this evil. As with most good horror films, the seemingly invincible must have a weakness, otherwise the plot becomes unsustainable - and this one allows the youngsters to define and exploit this whilst still maintaining enough shock moments and sense of menace to keep the thing interesting. The dialogue isn't the best, but that is not so important here - it's still a really well paced and genuinely scary story that engenders fear from something so outwardly benign as a clown - normally the symbol of joy and happiness. I rarely jump at the cinema nowadays, but this does work!

It

производственные компании

Актёрский состав 50:

Recommended films

Trailer

Sequels and Prequels