Isabelle Huppert

Laurent Lafitte

Anne Consigny

Charles Berling

Virginie Efira

Judith Magre

Christian Berkel

Jonas Bloquet

Alice Isaaz

Vimala Pons

Raphaël Lenglet

Arthur Mazet

Lucas Prisor

Hugo Conzelmann

Stéphane Bak

Hugues Martel

Anne Loiret

Nicolas Beaucaire

David Léotard

Loïc Legendre

Jean-Noël Martin

Eric Savin

Zohar Wexler

Olivia Gotanègre

Raphaël Kahn

Jina Djemba

Nicolas Ullmann

Florent Peiffer

Laurent Orry

Fleur Geffrier

Marie Berto

Caroline Breton

Jean Douchet

Oury Milshtein

Dominique Plaideau

Elise Lahouassa

Vincent Launay-Franceschini

Jean-Yves Freyburger

François Nambot

Delphine Capossela

Laurent Ott

Thi-Loan Nguyen

Nicolas Rey

Fabien Perniceni

Kevin Chneiweiss

Kateryna Merkt

Valérie Trajanovski

Sarah Borch-Jacobsen

Benoît Biral

Philippe van Leer

David Birke

Philippe Djian

Paul Verhoeven

Job ter Burg

Stéphane Fontaine

Michel Merkt

Constance Demontoy

Bénédicte Darblay

Saïd Ben Saïd

Nathalie Raoul

Anne Dudley

Harold Manning

Loris Camacho

Abraham Goldblat

Carole Reinhard

Karine Petite

Costia Dufour

Morgane Le Gallic

Sebastian Schelenz

Sébastien Delloye

Cecile Vatelot

François Touwaide

Diana Elbaum

Morand Coline

Hugo Fié

Martin Hampel

Anne Caramagnol

Dali Mansour

Quentin Janssen

Thanassis Karathanos

Sarah Blanc

Manon Messiant

Sophie Farsat

Thibault Ruslet

Brieuc Vanderswalm

Alessandro Checcacci

Camille Cariou

Katia Boutin

Damien Lazzerini

Sophie Denize

Alexis Robin

Morgane Annic-Nony

Guillaume Couturier

Gwennolé Le Borgne

Clément Wintz

Simon Descamps

Jonathan Acbard

Xavier Cholet

Jan Gagnaire

Damien Luquet

Alexis Place

Niels Koopman

Elise Luguern

Louis Bart

Cyril Holtz

Hugues Namur

Danae Delbos

Adrien Overlot

Antonin Gendre

Guy Ferrandis

Elise Camurat

Jean-Paul Mugel

Marc Jouveneau

Emmanuel Lanzi

Drama

Thriller

Elle

France 2 Cinéma

SBS Productions

Twenty Twenty Vision Filmproduktion

Proximus

Entre Chien et Loup

Belgium

France

Germany

Français

Reno

**Sometimes the crime decides its own fate.**

I had no thought before the watch, but while watching it, I felt it was overrated. That's for a moment, once I finished watching it, realised it's a better film. I mean I changed my stance, after over and over thinking about the film. So its the patience you need, wait till the film to end to decide how much you liked it. It was too long, but every space was filled up with the best parts. It took time to understand the characters, and with multiple angle events in one woman's life. Isabelle Huppert was amazing. Despite so many characters in the film, she ruled it. One of her best films I have seen.

The film focused on the boss of a video game designing firm. It opens with as she's been sexually assaulted in her home by an intruder. Followed by one of her employees morphed her face to an animated character as a sexual explicit material for the game they are working in. So she begins her investigation to find both the culprit who might be the same person. This is where the suspense comes into play to develop interest in us. Besides, facing family troubles takes some extra development. Subsequently, all the mysteries will be solved and to know how it ends, you should watch it.

> "Michele to her cat: You did not have to claw his eyes out, but scratch him at least."

It is official French submission to the 89th American Academy Awards. But as per the latest news bulletin, this film is out of the Oscars race, despite made into the Golden Globes. From the director of the original 'Total Recall' and his first French film. Based on the book named 'Oh...'. But I felt it was developed from a small part of 'The Little Death'. Basically, there's an understanding being it is the story of the adults, despite the sexual violences and that's how this story was built. So you must compromise on a few things that is shown in it if you really want to enjoy it.

I did not like it all the sudden, though looking back all the film events and joining them together made me see the film was decent. Especially that final line said by a woman who was evacuating her house makes whole thing sense. Maybe that's the real twist in the tale. Initially I did not think to write a review, but surely it deserved one from me, so I wrote this short and quick. This is the film for the grown ups, but not for all the grown ups. So I hope it will meet your expectation if you decide to try, but according to me definitely it is worth.

_7/10_

Ass-wiping-piece-of-crap-movie glamorizing rape, violence, mutilation, stalking... It is not doing any good for anybody! NO woman (with brains) would ever find this movie sexy! The first and the last 10 minutes was the only thing realistic in this movie.... YUCK! The director and the whole movie team should be ashamed to encourage violence against women! There are some sick twisted fucks out there, who is totally going to misunderstand this movie...

Elle

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