Nanni Moretti

Silvio Orlando

Silvia Nono

Pietro Moretti

Agata Apicella Moretti

Nuria Schoenberg

Silvia Bonucci

Quentin de Fouchécour

Renato De Maria

Daniele Luchetti

Nicola Piepoli

Corrado Stajano

Angelo Barbagallo

Andrea Molaioli

Alessandro Pesci

Alessandro Angelini

Alessandro Zanon

Danilo Moroni

Valia Santella

Luigi Lagrasta

Alexander Skerl

Franco Bruni

Andrea Collepiccolo

Fabrizio Vicari

Nadia Breccia

Eleonora Patriarca

Nicola Giuliano

Roberto Cimatti

Gianni Santucci

Germana Melodia

Roberto Giacomelli

Andrea Legnani

Gianfranco Mecacci

Gino Tamagnini

Michele Vigliotta

Roberto Belli

Lucia Deidda

Annamaria Cocchioni

Maria Castrovilli

Gaia Calderone

Marcello Meniconi

Paolo Centore

Delia Apolloni

Angelo Amatulli

Maura Zuccherofino

Umberto Montiroli

Fabrizio Amato

Bruno Memoli

Filippo Bussi

Eraldo Barbona

Alessia Bulgari

Ludovico Einaudi

Angelo Nicolini

Giuseppe Lanci

Valentina Taviani

Marta Maffucci

Comedy

Aprile

Sacher Film

Bac Films

Canal+

ARTE

France

Italy

English

Français

Italiano

CinemaSerf

I did think it a little unkind that Silvio Berlusconi didn't get a credit here. He features enough - on television or by reputation! It's against the backdrop of the 1996 Italian elections that Nanni Moretti attempts to focus on two significant events in his life. Marginally more important is the birth of his first child, but that's only slightly ahead of his planned documentary about the aforementioned elections. Now this documentary wasn't his first choice. He was initially intent on making a musical, or some sort of revue, but now set on his new course he suffers from a director's block. The crew are poised but his brain is stalled. He's completely perplexed as he must juggle his priorities. He's man of the political left so his documentary planning is also fuelling his disdain for the future of politics in his country... Bluntly, he's between a rock and a very hard place. It's quirky and comical this film whilst taking a few free swipes at people generally out of their depth whether that be about fatherhood, politics or filmmaking. The last five minutes are maybe just a little predictably surreal and Moretti does rather monopolise the screen, but the jolly score and entertaining dialogue make for an enjoyable, if admittedly forgettable, eighty minutes of frustrated mayhem.

Aprile original trailer (Nanni Moretti)

Aprile

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Актёрский состав 16:

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