Theodore Roberts

Charles De Rochefort

Estelle Taylor

Julia Faye

Pat Moore

James Neill

Lawson Butt

Clarence Burton

Noble Johnson

Edythe Chapman

Richard Dix

Rod La Rocque

Leatrice Joy

Nita Naldi

Robert Edeson

Charles Ogle

Agnes Ayres

Genevieve Belasco

Wilson Benge

Virginia Bradford

Arthur Edmund Carewe

Gino Corrado

Dorothy Dale

Cecilia de Mille

Attilio Degasparis

Louise Emmons

Charles Farrell

Viscount Glerawly

Rex Ingram

Roscoe Karns

Jack Montgomery

Kathleen O'Shee

Jack Padjan

Eugene Pallette

John J. Richardson

Mabel Richardson

Robert St. Angelo

Cecil B. DeMille

Jeanie Macpherson

Eugene Richee

Paul Iribe

Anne Bauchens

Bert Glennon

Drama

Fantasy

The Ten Commandments

Paramount Pictures

United States of America

No Language

CinemaSerf

Essentially two separate stories, this shows well the aspirational brilliance of Cecil B. De Mille as well as his complete inability to condense anything! The first part depicts the Exodus and Leviticus books from the Old Testament - the story of Moses leading the slaves from their somewhat brutal existence in Egypt and the passing down of the Ten Commandments to the people as they build the great Tabernacle. The second part modernises the application of the Commandments and applies them to a family in 1920's America with two brothers who vie for the affections of the same girl whilst one seeks fame and fortune, the other a more contented existence. Both stories exhort the import of the Commandments as the basic tenets of human decency and values - and shy not from visiting severe punishments on those who transgress. The former story includes a wonderful score and, for the time, some pretty impressive special effects - especially the parting of the Red Sea. The second story is less impressive - more a slightly over-moralistic tale of greed and avarice that was hardly unusual then (or is now). The budget - some $1.8m was enormous for the time and the scale of the cinematography, extras etc. in phase one is impressive and convincing; the acting comes into it's own a bit more in the second act - with Richard Dix and Rod La Rocque playing the brothers well, and Nita Naldi shining as the Eurasian temptress "Sally Lung". As with so many silent films, it's all in their faces - and this one doesn't disappoint - even if there is a little too much theatrical gesturing and posturing now and again. On balance I probably prefer the 1956 iteration, again by De Mille, but there is little in it and if you do get a spare 2¼ hours then this is certainly a superb example of grand cinema from a visionary director.

The Ten Commandments

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