Arletty

Jean-Louis Barrault

Pierre Brasseur

Marcel Herrand

María Casares

Louis Salou

Pierre Renoir

Jane Marken

Gaston Modot

Fabien Loris

Marcel Pérès

Etienne Decroux

Marcelle Monthil

Louis Florencie

Habib Benglia

Rognoni

Jacques Castelot

Paul Frankeur

Albert Rémy

Robert Dhéry

Auguste Bovério

Paul Demange

Lucienne Legrand

Maurice Schutz

Joe Alex

Nicolas Bataille

Gérard Blain

Bill Bocket

Albert Broquin

Jacques Josselin

Paul Temps

Michel Vadet

Roger Vincent

Rivers Cadet

Jean Carmet

Jean Diéner

Guy Favières

Jean Gold

Gustave Hamilton

Jean Lanier

Léon Larive

Marcel Melrac

André Numès

Raphaël Patorni

Pierre Palau

Lucien Walter

Cynette Quero

Marcel Carné

Jacques Prévert

Raymond Borderie

Fred Orain

Roger Hubert

Marc Fossard

Henri Rust

Madeleine Bonin

Mayo

Alexandre Trauner

Pierre Blondy

Jacques Carrère

Jean Monchablon

Robert Teisseire

Roger Forster

Raymond Gabutti

Léon Barsacq

Joseph Kosma

Maurice Thiriet

Bruno Tireux

Drama

Romance

Les Enfants du Paradis

Société Nouvelle Pathé Cinéma

France

Français

Children of Paradise

CinemaSerf

Told in two acts with a curtain rising on both sections, this is quite a stylish, lavish even, and entertaining tale of a lady of the streets. "Garance" (Arletty) who sometimes uses her real name of "Claire Reine" is actually quite a decent woman who is wrongfully accused of pickpocketing in a busy market. Fortunately, the mime artist "Baptiste" comes to her rescue and quickly falls hook, line and sinker for the beautiful and charismatic woman. His problem is that she has no lack of suitors, and over the next three hours or so we are introduced to the lively and foppish "Lemaître" (Pierre Brasseur); the even more flamboyant but roguish "Lacenaire" (Marcel Herrand) and the aloof and sterile, but very wealthy "Comte de Montray" (Louis Salou). The plot itself isn't especially remarkable. A woman in the flushes of youth and attractiveness being sought after by a diverse collection of men. What makes this stand out is the marvellously applied mixture of heavily scored theatrical and cinematic styles. It's a love story and an adventure. How might things pan out for her as she ages, though? As her outward beauty begins to fade? Will any of them (or anyone else) still want her? Will she want them? The characters are quite roundly developed as director Marcel Carné takes his time to illustrate not just the persona of the heroine, but also those of her suitors whilst offering us a critique of a society in general that in early 19th century France mixed opulence with poverty, violence with tenderness. By using the different genres of theatre performances, Carné creatively provides us with a more subtle conduit between her series of trials and tribulations that allows us to tap into themes of culture and religion as well as human nature in many of it's guises. Arletty is on great form, as is Brasseur and given it was made just as the Nazi occupation was coming to it's own denouement, is quite an astonishingly artistic achievement that shows a nation with a healthy and defiant confidence in it's own identity and credentials.

Michael Peyser on CHILDREN OF PARADISE

Three Reasons: Children of Paradise

Children of Paradise - U.S. Re-Release Trailer

Children of Paradise

производственные компании

Актёрский состав 47:

Recommended films

Trailer

Sequels and Prequels