Al Pacino

Robert Duvall

Diane Keaton

Robert De Niro

John Cazale

Talia Shire

Lee Strasberg

Michael V. Gazzo

G. D. Spradlin

Richard Bright

Gastone Moschin

Tom Rosqui

Bruno Kirby

Frank Sivero

Francesca De Sapio

Morgana King

Marianna Hill

Leopoldo Trieste

Dominic Chianese

Amerigo Tot

Troy Donahue

John Aprea

Joe Spinell

Abe Vigoda

Tere Livrano

Gianni Russo

Maria Carta

Oreste Baldini

Giuseppe Sillato

Mario Cotone

James Gounaris

Fay Spain

Harry Dean Stanton

David Baker

Carmine Caridi

Danny Aiello

Carmine Foresta

Nick Discenza

Joseph Medaglia

William Bowers

Joseph Della Sorte

Carmen Argenziano

Joe Lo Grippo

Ezio Flagello

Livio Giorgi

Kathleen Beller

Saveria Mazzola

Tito Alba

Johnny Naranjo

Elda Maida

Salvatore Po

Ignazio Pappalardo

Andrea Maugeri

Peter LaCorte

Vincent Coppola

Peter Donat

Tom Dahlgren

Paul B. Brown

Phil Feldman

Roger Corman

Ivonne Coll

Joe De Nicola

Edward Van Sickle

Gabriella Belloni

Richard Watson

Venancia Grangerard

Erica Yohn

Teresa Tirelli

James Caan

Italia Coppola

Roman Coppola

Sofia Coppola

Victor Pujols Faneyte

Julie Gregg

Larry Guardino

Buck Houghton

Sho Kosugi

Gary Kurtz

Richard Matheson

John Megna

Jay Rasumny

Filomena Spagnuolo

Julian Voloshin

Mario Puzo

Dean Tavoularis

Francis Ford Coppola

Jane Feinberg

Vic Ramos

George Brand

Gordon Willis

Richard Marks

Peter Zinner

Barry Malkin

Mike Fenton

Howard Beals

Mark Berger

Nino Rota

Ted Grossman

Wally Rose

George Robotham

George Sawaya

Phil Adams

Tony Amato Sr.

Valerio De Paolis

John Franco

Charles H. Schram

Naomi Cavin

Dick Smith

Newt Arnold

Ralph Gerling

Tony Brandt

Joe Lombardi

Angelo P. Graham

George R. Nelson

Michael S. Glick

Eileen Peterson

B.J. Bjorkman

Charles M. Wilborn

Wayne Fitzgerald

Walter Murch

Theadora Van Runkle

Burt Bluestein

Alan Hopkins

Carmine Coppola

Michael Kusley

Gray Frederickson

Fred Roos

Charles Myers

Bob Rose

Nathan Boxer

Henry J. Lange Jr.

James Fritch

A.D. Flowers

Mona Skager

George Holmes

Jack English

Mona Houghton

The Godfather Collection

Drama

Crime

The Godfather Part II

Paramount Pictures

The Coppola Company

American Zoetrope

United States of America

English

Italiano

Latin

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This is by far the greatest movie of all time!  Even better than the first Godfather!

Matthew Dixon

Worthy sequel to the first movie. In something more meditative and unhurried, in something more philosophically meaningful than its legendary predecessor. Backstage games and backstage talks replaced the dramatic mood swings of the main characters and the exchange of fire.

The second film continues the story of Michael Carleone in the role of the Godfather, and also complements the family story with scenes of the formation of the young Vito Andolini and his escape to America. The difficult choice of being young Don, his sphere of expansion of influence opens up new heights and horizons, but also acquires new enemies. Big money and power always keep pace with great temptation, and therefore you should always keep your ears open. After all, the knife in the back can insert exactly the one from whom you do not expect ...

CinemaSerf

Building on the first volume, this self-adaptation by writer Mario Puzo and director Francis Ford Coppola develops the story of the new Don - "Michael" (Al Pacino). His attempts to expand, and to a certain extent legitimise, the family businesses see him associating with the duplicitous "Hyman Roth" (Lee Strasberg) in Cuba; subject to betrayal, assassination attempts and fighting what may be a losing battle to keep his own family together - all whilst doing plenty of Machiavellian manipulation of his own. There is an equally strong parallel thread depicting how his father "Vito" (Robert de Niro) rose to prominence after fleeing Sicily after the murder of his family at the hands of "Don Ciccio". With the principal characters all now well established, we can hit the ground running with a solid and complex set of inter-connected, character-driven storylines. The superior cast deliver this story really effectively - Robert Duvall and Diane Keaton as the consigliere and wife respectively, standing out. The attention to detail alongside the instantly recognisable Nino Rota score add amply to what is just a great story of Michael's efforts to build upon (and honour) his father's legacy, before he loses all of his own, once prevailing, decency. It is long, and it does miss Brando, but Pacino is on super form as the increasingly ruthless and isolated - even lonely - figure and I reckon this is every bit as good at the "Godfather" (1972).

This Hollywood style formula movie about mobsters isn't as pathetic as the first or third one, simply because it is too dull and poorly directed to stay awake through.
It's basically just a bunch of scenes of people "talking tough" or getting killed, with no point.
If you're looking for a plot or story, forget it. There is none. It's a muddled mess. It appears that by the end, the chief mobster is in anguish over whether or not to kill his brother. 
Why? Who knows? None of this makes sense to those of us who aren't born with some super psychic ESP. 
It also appears there's some revenge, but we never know why, or who, or what. It's just a poorly directed and poorly written mess.
It does cure Insomnia, though, which is why it gets a 2 rating instead of a 1.

THE GODFATHER 50th Anniversary Franchise Trailer

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The Godfather Part II

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