Patrick Stewart

Jonathan Frakes

Brent Spiner

LeVar Burton

Michael Dorn

Gates McFadden

Marina Sirtis

William Shatner

Malcolm McDowell

James Doohan

Walter Koenig

Alan Ruck

Thomas Dekker

Cameron Oppenheimer

Jenette Goldstein

Tim Russ

Brian Thompson

Patti Yasutake

Jacqueline Kim

Thomas Kopache

Glenn Morshower

Michael Mack

Dendrie Taylor

Granville Ames

Barbara March

Gwynyth Walsh

Kim Braden

Christopher James Miller

Majel Barrett

Kristopher Logan

Whoopi Goldberg

Dennis McCarthy

David Carson

Sandy Veneziano

Peter Lauritson

Herman F. Zimmerman

Bernard Williams

Robert Blackman

Junie Lowry-Johnson

John A. Alonzo

John M. Dwyer

Ron Surma

Peter E. Berger

Brannon Braga

Ronald D. Moore

Michael Westmore

Debbie Zoller

Gilbert A. Mosko

Joy Zapata

Michelle Wright

June Westmore

Linda Brachman

Pamela Bentkowski

Rick Berman

Carolyn Elias

Patricia Miller

Jon Johnson

Thomas E. Surprenant

Starr Jones

Dianne Wager

Jeffrey R. Payne

Chris Soldo

Laura Connolly

Arlene Fukai

David Lee Fein

Robert Grand

Yudi Bennett

Daniel Silverberg

Gloria D'Alessandro

Ken Dufva

Chris Jenkins

Jim Likowski

Thomas J. Arp

William K. Dolan

Robert Fechtman

Thomas Causey

Joseph A. Ippolito

Lee Lemont

Bill Cancienne

Joseph F. Brennan

Nicholas Korda

Bob Baron

Kevin Hearst

Larry Clark

Douglas Fox

Scott G.G. Haller

Ron Wilkinson

Richard Corwin

John Coniglio

Terry Hager

Christine Bonnem

Bud Davis

Stuart A. Spohn

Pernell Youngblood Tyus

Gregory W. Smith

Alan Gitlin

Jorge Sánchez

Jonathan Cates

Thomas W. Small

Michael P. May

Elaine Ramires

Terry D. Frazee

Martin November

James Wolvington

Krishna Rao

Francis X. Valdez III

George Billinger III

John Harmon

Elliott Marks

Becky Sullivan

Masanobu 'Tomi' Tomita

Jeffrey Greeley

Jeffrey L. Sandler

Theresa Repola Mohammed

Stephen M. Rowe

Sophia Lansky

Kelley Wood

Don Levy

Sean Callery

Adam Jenkins

Randy Singer

Judi Brown

Rob Coleman

George Hull

Jay Caputo

Eugene Collier

John Nowak

Randy Hall

Don Pulford

Joni Avery

Star Trek: The Next Generation Collection

Science Fiction

Action

Adventure

Thriller

Star Trek: Generations

Paramount Pictures

United States of America

English

_**Ambitious and High-Concept Sci-Fi (for Grown-Ups only)**_

I can see WHY some don't like "Generations" (1994) or don't 'get' it: This seventh Star Trek film has some (false) plot holes and some things aren't spelled-out or explained very well (So what? Doesn't mystery intrinsically come with the territory of space adventure?); plus the story is a bit convoluted, particularly for those not familiar with Star Trek up to this point, both generations.

Regardless, "Generations" is ambitious, high-concept sci-fi of the highest order; it leaves the viewer with many interesting questions to ponder long afterwards. Although the Nexus has been criticized as a mere gimmick to get Kirk and Picard together, I find the concept utterly fascinating: No matter how much we want it, an illusory paradise is just that, an illusion. As far as I'm concerned, the concept of the Nexus and its implementation into the storyline is nothing short of brilliant. Who created the Nexus? Why, who else but the Talosians, the 'antagonists' of Trek's very first episode, "The Cage"! Think about it.

Besides this, there are multiple highlights (some SPOILERS follow): The usual Trek humor, Data's amusing experiences with the emotion chip, Malcolm McDowell's outstanding performance as the Soran, his believable obsession and justifications, B'Etor & Lursa and their "wild bunch" Klingons, the startling obliteration of them and their vessel, the thrilling crash-landing of the Enterprise-D, the meeting of Kirk and Picard in the Nexus, the final showdown with Soran and Kirk's death. Needless to say, "Generations" does far more than offer mere juvenile space battles.

BIGGEST PLOT HOLE (OR MAYBE NOT): Picard's purpose in leaving the Nexus is to stop Soran from annihilating the Enerprise-D crew and the entire Veridian solar system, including the 230 million people that live on Veridian IV. Since Picard can leave the Nexus and "go anywhere any time," as Guinan pointed out earlier, why go to Veridian III about A MINUTE before Soran launches his rocket? Why not go back to when Soran was a guest on the Enterprise-D and apprehend him then and there? Writer Ronald D. Moore defended Picard's decision on the grounds that he didn't want to risk the dangerous and unexpected consequences that can occur when tampering with the timeline; hence, his journey back in time from the Nexus is only a matter of a minute or so. It's a good explanation.

Speaking of explanations, some have criticized the fact that Guinan is simultaneously present in the real world and in the Nexus. How could this be? It's simple: It is repeatedly established that the reality experienced in the Nexus is not real; one experiences what they desire in the Nexus, not what is necessarily real. For instance, Picard has no children in the real world, but because he DESIRED to have them he was able to experience them in the Nexus. Hence, the 'Guinan' portrayed in the Nexus may walk, talk and act precisely like Guinan, but she's not real. She's only there because Picard desires her to be there for the purpose of explaining the nature of the Nexus. That said, many of the people in the Nexus are real, like Picard and Kirk. 

COMMENTARY ON THE NEXUS: Although the Nexus should simply be taken at face value as a strange space phenomenon (likely created by the Talosians), you can also regard it as an analogy. At first glance the viewer might get the impression that the Nexus is a type of heaven, but this can't be so since it is repeatedly emphasized in the film that the people and events experienced in the Nexus are NOT real (for the most part). 'Heaven,' a term theologians and ministers traditionally use to refer to the eternal abode of the redeemed (technically referred to as "the new heavens and new earth" in the bible, as shown in 2 Peter 3:13), is always depicted as real in the bible, not an illusory paradise. If the Nexus is not analogous of heaven, what could it be a type of? The Nexus corresponds to any addiction a person "tastes" and embraces to escape reality (e.g. pipe dreams, drugs, alcohol, computer games, TV, porn, fishing, shopping, golf, etc.). Some, like Soran, are unable to flee its clutches and waste their lives and talents OBSESSED by it. Others, like Picard and Kirk, are able to see the truth and escape; they therefore "make a difference" in real life.

BOTTOM LINE: This "passing-of-the-torch" installment requires an attention span and an appreciation for high-concept sci-fi; it will likely bore those for whom Star Trek only means neato spacecrafts and superficial space dogfights (don't get me wrong, they each have their place in Trek). "Generations" has the courage to make bold changes -- killing off an iconic character, and fairly prominent support characters as well, not to mention destroying the Enterprise-D. In short, "Generations" is science-fiction for grown-ups and youth with advanced cerebral development. All others should stick with juvenile space fantasy flicks (giggle).

The film runs 1 hour, 57 minutes.

GRADE: A

I'll be honest, I really hated Star Trek The Motion Picture. I mean, I REALLY hated it and I am a Star Trek fan...

... so it's sort of fitting that I hate Generations as well.

I mean, it doesn't do the first generation or the Next Generation justice at all does it? Kirk shouldn't have been in it. The OG Enterprise crew shouldn't have been in it.

It felt like it robbed TNG of their first outing on the big screen while insulting the original crew of the Enterprise.

I've seen this one a few times over the years and while not great and the plot was something akin to a two-part episode of TNG, I still was mildly entertained even if Malcolm McDowell's role was underdeveloped with us being told of his motivations with the death of his family versus being shown it via flashbacks. But the selling point was seeing the two iconic Captains together, even if only for 25-minutes. **3.0/5**

CinemaSerf

A pretty lame attempt to synthesise the old and the new as “Capt. Kirk” (William Shatner) and “Mr. Scott” (James Doohan) are invited to the maiden voyage of the latest USS Enterprise. Needless to say, it all goes wrong as they encounter an enormous energy ribbon that strikes the ship and mayhem ensues. Jump forward several years and “Capt. Picard” (Patrick Stewart) is now in charge of the ship and the TNG crew have to deal with Roddy McDowell, the mad scientist determined to recreate that sequence of events so he can reunite with his lost wife. “Picard” is reunited with “Kirk” in a sort of parallel timeline as they combine to try to defeat their foe. Sadly, we have now entered into the realms of "Star Trek" with "holodecks", "prime directives" and Gilbert & Sullivan - the fun, tongue-in-cheek elements are gone and it starts to take itself far too seriously. McDowell always did manage to carry off the "slightly deranged" roles well, but otherwise this runs out of steam for me after 15 minutes...

Star Trek: Generations (1994) Original Trailer [FHD]

Star Trek VII: Generations - Trailer

Star Trek: Generations

производственные компании

Актёрский состав 31:

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