Howard Keel

Susan Kohner

John Saxon

Martha Hyer

Herbert Lom

Ray Stricklyn

Marian Seldes

Alexander Scourby

Beulah Bondi

Jay Barney

Mark Dana

Rhodes Reason

Henry Brandon

Tom Troupe

Marianne Stewart

Jonathan Harris

Charlotte Fletcher

Brian G. Hutton

Leonard Mudie

James Griffith

Peter Adams

Jo Gilbert

Michael Mark

Joe Di Reda

Stuart Randall

Herbert Rudley

Phillip Pine

Francis McDonald

Perry Ivins

Ralph Moody

Anthony Jochim

Don Turner

Betty Alonzo

Frank H. Wilkinson

Lloyd C. Douglas

Howard Estabrook

Rowland V. Lee

Frank Borzage

Frank Westmore

Larry Germain

Paul Weatherwax

Julia Heron

Renié

James Ryan

John DeCuir

Bud Westmore

Anita Speer

Lee Garmes

Solly Martino

Bert Eason

Albert Hay Malotte

Drama

The Big Fisherman

Walt Disney Productions

Centurion

United States of America

English

CinemaSerf

So the Arab Princess "Hara"(Susan Kohner) is a favourite of King "Zendi" (Mark Dana) because the king has a fondness for her mother. It turns out that both were betrayed by the Tetrarch of Galilee (Herbert Lom) many years earlier, and that all have sworn vengeance of this man. When her badly wronged mother dies, the Princess decides to cut her black locks and don the guise of a lad so as to fulfil her newly taken murderous vow. Her travels find her encountering Simon Peter (Howard Keel) who soon realising that she is a woman - thanks to his mother-in-law, takes her into his home. This is all happening whilst her admirer from the desert "Prince Voldi" (John Saxon) is determined to fetch her back to her own people; and to try his own hand at carrying out their long held hope of assassinating their nemesis. The film is all over the place. Part Arabian adventure (the good part) and part birth of Christianity stuff (the not so good part). I kept waiting for Keel to burst into song and but for the efficient effort from Lom as the baddie Herod Antipas, this whole thing would be a poorly produced amalgam of a love story and a bible one. The production itself is colourful enough, the costumes and sets look fine but the story lacks a cohesive direction; it meanders and wanders and I did wonder what a man of Keel's stature was ever doing here.

The Big Fisherman

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