Brian Donlevy

Veronica Lake

Alan Ladd

Bonita Granville

Richard Denning

Joseph Calleia

William Bendix

Frances Gifford

Donald MacBride

Margaret Hayes

Moroni Olsen

Eddie Marr

Arthur Loft

George Meader

William Benedict

Dane Clark

Tom Fadden

Bess Flowers

Chuck Hamilton

James Millican

Bert Moorhouse

Lillian Randolph

Norma Varden

Brooks Benedict

Conrad Binyon

Frank Bruno

Kenneth Chryst

Edmund Cobb

Maurice Costello

George Cowl

John W. De Noria

Vernon Dent

Frank Elliott

J.C. Fowler

Jack Gardner

Kit Guard

Frank Hagney

Louis Jean Heydt

Arthur Stuart Hull

Joe King

Paul Le Pere

Theodore Lorch

Jack Luden

Wilbur Mack

Joe McGuinn

Edmund Mortimer

Jack Mulhall

Spec O'Donnell

Broderick O'Farrell

Tom O'Grady

Pat O'Malley

Stanley Price

Cyril Ring

Francis Sayles

Jack Shea

Bruce Sidney

Brick Sullivan

Charles Sullivan

George Turner

William Wagner

Fred Walburn

Laraine Day

Dashiell Hammett

Stuart Heisler

Jonathan Latimer

Buddy G. DeSylva

Victor Young

Hans Dreier

Archie Marshek

Wally Westmore

Haldane Douglas

Edith Head

Theodor Sparkuhl

Don Johnson

Walter Scharf

Hugo Grenzbach

Arthur S. Black Jr.

George Parrish

Fred Kohlmar

Leo Shuken

Crime

Mystery

Thriller

The Glass Key

Paramount Pictures

United States of America

English

Hey, Rusty, Little Rubber Ball is back. I told you he liked the way we bounced him around.

The Glass Key is directed by Stuart Heisler and adapted by Jonathan Latimer from a story written by Dashiell Hammett. It stars Brian Donlevy, Alan Ladd, Veronica Lake, Joseph Calleia, William Bendix & Bonita Granville.

It's re-election time and tough guy politician Paul Madvig (Donlevy) falls for reform candidate Ralph Henry's (Moroni Olsen) daughter, Janet (Lake). Subsequently he throws his weighty support behind Ralph Henry's campaign and irks the underworld gangsters, notably Nick Varna (Calleia). When Ralph's son, Taylor Henry (Richard Denning), is murdered, it opens up a world of corruption, violence, romantic passions and shifty shenanigans. A world that puts Madvig's right hand man, Ed Beaumont (Ladd) firmly in the middle.

Hammett's tale had already been filmed in 1935 with Frank Tuttle in the director's chair and featuring George Raft, Edward Arnold & Claire Dodd as the principal players. Few can argue that, now, knowing how film noir became a force in the 40s, a remake was more than appropriate. Heisler's movie boasts a bigger budget, a better cast and crucially a better screenplay. However, the film in truth has problems, even though it rightly crops up as an example of early film noir on account of the thematics at work, where corruption and wealth blends seedily with sexual ambiguity and amoral deadpanning. 

One of the key reasons for why The Glass Key has proved so popular over the years, is because of some dynamite scenes and that Ladd's character is so wonderfully hard to read. Ticking away is a mystery to be solved in the middle of the plot, which is driven by a mysterious protagonist - with Ladd excellently playing it up. That Ladd and Lake would make four films together is testament to their chemistry, yet although the knowing looks and ease with how they share the same frame is telling here, the film as a whole is actually the weakest of the three film noirs that they made.

Casting aside the flat visuals (oh for an Alton, Ballard or Musuraca) - and that much of the political corruptness is put in the background of the whodunit structure - the film also falls flat due to the cop-out ending. Now it's true that many film noirs, and other devilish off shoots of such, have favoured a more "hopeful" ending, and have got away with it to a degree. Yet here it's practically unforgivable, given the tone and all round uneasiness of the previous narrative bents, a tone that's driven by Beaumont's amoral ambiguity lest we forget. 

Why the hard edge ending from the novel is not used I'm not too sure, but ultimately it's the wrong decision. Still, there's enough to enjoy here while it runs. The cast do great work, notably William Bendix as a pathetic hard man dealing out sado-masochistic beatings to poor Edward, and Donlevy who blends his "Great McGinty" character with old time mobster traits. While of course solving the whodunit is fun and thankfully no easy task.

It's said that The Glass Key influenced the likes of "Yojimbo" and "The Big Sleep", which if true? is high praise all told. But as entertaining as the film is, and it is, this really should (and could) have been much better, and its reputation in noir circles to my mind is a little flattering. 7/10

The Glass Key trailer

The Glass Key

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