Matthew McConaughey

Sandra Bullock

Samuel L. Jackson

Kevin Spacey

Ashley Judd

Donald Sutherland

Oliver Platt

Charles S. Dutton

Brenda Fricker

Kiefer Sutherland

Patrick McGoohan

Rae'Ven Larrymore Kelly

Tonea Stewart

John Diehl

Chris Cooper

Nicky Katt

Doug Hutchison

Kurtwood Smith

Tim Parati

Beth Grant

Anthony Heald

M. Emmet Walsh

Octavia Spencer

Darrin Mitchell

LaConte McGrew

Devin Lloyd

Mark W. Johnson

Joe Seneca

Thomas Merdis

Alexandra Kyle

Terry Loughlin

Andy Stahl

Joe Bullen

Lorraine Middleton

Graham Timbes

Jonathan Hadary

Benjamin Mouton

Byron Jennings

Patrick Sutton

Greg Lauren

Danny Nelson

Mike Pniewski

Elizabeth Omilami

Lukas Cain

Stacy Rae Toyon

Wayne Dehart

Helen E. Floyd

David Brian Williams

Rebecca Koon

James M. Crumley Jr.

Jim Ritchie

Perry Ritchie

Mike McLaren

Tim Monich

Leonard L. Thomas

Brance H. Beamon

Mildred J. Gilbreath

Will Crapps

David U. Hodges

Maggie Wade Dixon

Russell Hambline

Robert Chapman

Robert R. Bell Jr.

Tommy McCullough

Ryk St. Vincent

Bettina Rose

Linda Calvin Johnson

Terrance Freeman

Alice Julius-Scott

William Truly Jr.

Walter L. Hutchins

Jerry Hunt

Howard Ballou

Todd Demers

Stephanie Strickland

Kim Hendrix

Rob Jay

Sherri Hilton

Steve Coulter

Jackie Stewart

Rosebud Dixon-Green

Peter Menzies Jr.

Arnon Milchan

Hunt Lowry

Akiva Goldsman

William Steinkamp

John Grisham

Larry Fulton

Joel Schumacher

Michael G. Nathanson

Bill Johnson

Elliot Goldenthal

Mali Finn

William M. Elvin

Troy Gilbert

Richard Toyon

Ingrid Ferrin

Dorree Cooper

Chris Centrella

Janine Rath-Thompson

Rex Anson Rhorer

D. G. Fisher

William Hogue

Steve Galich

Kevin Murphy

Robert Bradshaw

Zandra Harding

Michael T. Wilson

Julianna Arenson

Michael Denering

Lee Lemont

Marietta Carter-Narcisse

Eric Wycoff

Dennis J. Lootens

Michael Connell

Randy Feemster

Christine M. Loss

Gary Duncan

Michael Singer

Roland N. Thai

John Leveque

Bonnie Daniels

Matt Byrne

Asahel Cooper

Dominik Dugandzic

Lance Gilbert

Emily Schweber

Carl Fischer

Brad Einhorn

Keith P. Cunningham

Hugh McCallum

Robert L. Stevenson

Margaret L. Schlaifer

Ken Nevin

Petur Hliddal

Ronald Cox

Sharron Reynolds-Enriquez

Lee Garibaldi

Andrew Adamson

James F. Truesdale

Lucy Weber

Martin Weight

Bill Daly

Steven Gerrior

John Moses

Bill McConnell Sr.

Wendy M. Craig

Tommy Tancharoen

Robert Elhai

Adam Jenkins

Nancy Mott

Bob Putynkowski

Debra L. Tennant

Pamela Wise

Pamela S. Westmore

Scott Elias

Joe Divitale

John H. Samson

Jeffrey McMahon

Francis N. 'Lucky' Costello

Mickey Gilbert

Bill McConnell Jr.

Hilda Hodges

Alan Edmisten

Joel Voorhies

Mo Henry

Ben Nye Jr.

Anthony Goldschmidt

Suzanne Trucks

Christian J. Fletcher

Fran Allgood

Steve Wolf

Dean M. King

Robert W. Steinkamp

Don Lee

Chuck Brown

Scott Mobley

Crime

Drama

Thriller

A Time to Kill

Regency Enterprises

Warner Bros. Pictures

United States of America

English

Filipe Manuel Neto

**It's a good movie, but I've seen better courtroom dramas.**

I saw this film not long ago and was very impressed with its quality. I didn't know, however, that it was based on a novel by John Grisham (I've never read it, and I have doubts if it was translated into Portuguese), and based very lightly on the emotional testimony of a young girl victim of rape. It should be noted, moreover, and by mere curiosity, that, in the real case behind the novel, the victim was a white girl and the man accused of having raped her was black. In summary, it's very good, but it's not a perfect film, and it pales in comparison to other much more consistent and effective courtroom dramas.

Joel Schumacher is the director of this movie, and that's really surprising me because his work rarely pleases me. I was able to appreciate the qualities of “Number 23”, the beauty and musicality of “Phantom of the Opera” were able to captivate me, but on the other hand, I hate the two “Batman” films he made, and I felt that “8 mm” is one of those films full of potential that ends up not living up to expectations. And then, this movie. And I'm still wondering whether I should consider the director responsible for the film's biggest weaknesses, or as a redeeming work that shows that, despite the crap, Schumacher had some talent.

The cast is strong. Despite the downward trajectory that his career has taken after his consecration, Matthew McConaughey is in good shape here and gives the public an enjoyable job. It's not the actor's best, it's nothing original, especially if we think about courtroom dramas, but it's effective and it looks credible. Samuel L. Jackson also does a good job, but the character is the most ambiguous in the film, and he can be a villain or a hero depending on our opinion (and the film makes an effort to sell him a hero). Kevin Spacey is good in a highly stereotyped character, and Donald Sutherland gives an air of his grace when the material allows. Less interesting were the appearances of Kiefer Sutherland and Sandra Bullock.

Technically, it's a low-key film, without major visual strokes or effects, which is good as it gives all the necessary space to the story and the actors' performance. It does, however, have good cinematography, a clever use of filming locations and sets, and also good costumes. It's a little long for the story it brings, but that fact doesn't constitute a very serious problem here.

The story has problems that we have to consider. It begins beautifully, presenting the opening incident with shocking colors and tones. The scene where the father kills his daughter's rapists is also incredibly well done, but the rest, and especially the scenes outside the courtroom, are bland. Bullock's character is so expendable that it was preferable that it had never been added: she appears to throw some adulterous romance into the script, but that never goes beyond a succession of flirtations because the main character does not have the nerve to really cheat on his wife. For the rest, she gives him some good ideas, aiding an incompetent lawyer to do a job well done, but that would have been better if it had come from Donald Sutherland, giving him a greater utility and better material.

I had serious problems with the trial of this film, starting with the judge's attempts to focus the facts on the death of the rapists. This would never be acceptable by a real court or a real defense, considering that, after the obvious failure of the transient insanity claims, the defense would have to rely on a clean criminal record, good citizenship and a truckload of extenuating circumstances in order to lighten the penalty to which that man was fatally to be condemned. And the most credible and convincing mitigating factor for a judge or jury would be, exactly, the enormous commotion that the rape would have caused, leading that father to act in a way that would have been impossible under other circumstances. And the insertion of the KKK in the film, not being a problem in itself, only serves to exaggerate a racial problem that is already there and that doesn't need to be exaggerated anymore.

CinemaSerf

The opening scenes of this movie are the sort that stay with you for ever: the brutal assault and murder of a young girl by two rednecks in Mississippi. Before their trial, they are gunned down in the courthouse by the girl's bereft father "Carl Lee Hailey" (Samuel L. Jackson) and it falls to "Brigance" (Matthew McConaughey) to defend the man in a state riddled with institutional and communal bigotry. Kevin Spacey is effective as the DA ("Buckley") who assumes the all white jury will never countenance the murder of these two odious creatures by a black man, but he doesn't count on the resolution - despite threats to himself and to his family - of "Brigance" and of his feisty assistant "Ellen" (Sandra Bullock). Joel Schumacher really does capture the almost viscerally racist elements of John Grisham's book cleverly here with frequently potent, but not unnecessarily graphic, scenarios depicting just how "justice" was expected to flow, even though there is never any doubt about the guilt of either the initial rapists/killers or of her avenging father. McConaughey is super. Sure, he has the boy next door looks but here, also, he portrays his determined character in a convincing manner. So does Bullock - demonstrating, through one especially harrowing scene, that she has more to her than we see with her more regular smart-mouthed comical roles. As ever, Patrick McGoohan excels - this time as the aptly named judge "Noose" and both Donald and Kiefer Sutherland and a few short scenes from Oscar winning Brenda Fricker all serve to demonstrate that there is still some semblance of hope (and futility) against the inherently malevolent prevailing attitudes of the time. The closing speech at the end from "Brigance" is especially potent. SLJ was nominated for a Golden Globe, his appearances are fine but sparing, but there was a curious dearth of plaudits for McConaughey which I found astonishing - he holds the threads of this menacing, at times quite sickening drama together well till the end. Not an easy watch, but well worth it.

Trailer

A Time to Kill

производственные компании

Актёрский состав 81:

Recommended films

Trailer

Sequels and Prequels