Diego Luna

Gael García Bernal

Maribel Verdú

Daniel Giménez Cacho

Diana Bracho

Verónica Langer

María Aura

Emilio Echevarría

Marta Aura

Silverio Palacios

Ana López Mercado

Andrés Almeida

Nathan Grinberg

Giselle Audirac

Arturo Ríos

Juan Carlos Remolina

Liboria Rodríguez

Mayra Sérbulo

Andrea López

Amaury Sérbulo

Jorge Vergara

Alfonso Cuarón

Emmanuel Lubezki

Alex Vázquez

Miguel Ángel Álvarez

Lila Yomtoob

Carlos Cuarón

Alex Rodríguez

Marc Bèdia

Sandra Solares

David Linde

Amy Kaufman

Sergio Aguero

Kelly Miller

Manuel Teil

Guillermo Cossío

Diana Quiroz

Roberto Loera

Gabriela Diaque

Carlos Sánchez

Dante Aguilar

Keary Jenkins

Eamon O'Farrill

Fernanda Arce

Manuel Hinojosa

Berenice Manjarrez Vericat

Carlos Hernández

Mily Moreno

Alfonso Rojas

Maury Carvajal

José Enrique Fernández

Annette Fradera

Camilo Lara

Liza Richardson

Sue Shufro

Manuel Billeter

Gonzalo García Barcha

Rocío Ortega

Guillermo del Toro

Alejandro González Iñárritu

Jonás Cuarón

Ted Hope

Miho Hatori

Simón Bross

Enrique Bunbury

Steve Golin

Henry W. Holmes Jr.

Dean Lyras

Raúl Olvera Ferrer

Steve Rabineau

Timothy J. Sexton

Fernando Trueba

Jeff Rath

Silvia Garza Bermúdez

David Gray

James Nichols Jr.

Mario Ontal

Jennifer Ruff

Kathy Thomson

Bryan McMahan

Noëlle Penraat

César González

Natalia Pollak

Oscar González

Salvador Servín

Marko Costanzo

Jesse Ehredt

Tom Fleischman

José Antonio García

Ruy García

Michael Holmstrom

Frank Kern

Hal Levinsohn

Blake Leyh

Skip Lievsay

Debora Lilavois

Marissa Littlefield

Hugo Noriega Valencia

Philip Stockton

Felipe Zavala

Phillip Fuller

Maria Carolina Larrosa

Drama

Romance

Y tu mamá también

Bésame Mucho Pictures

Anhelo Productions

Mexico

Español

Y Tu Mamá También

While recently watching "Blue Is the Warmest Color," I was reminded of this film, and like "Blue," I was drawn to how the film's central relationship between Tenoch and Julio felt both astoundingly ecstatic and yet isolating, especially when it ends. It's as if the passions from their road trip to Heaven's Mouth burned too brightly to be sustained once they returned to their normal lives. I first looked at this film as a coming-of-age film, albeit one that happened to include sex scenes much more graphic than others of its genre. That opinion helps me find a reflective starting point for this film, but every time I watch it, I think more and more about the socioeconomic points Cuarón interjects throughout. I think more about how little I know about other countries, especially the one just south of my own. (I suppose Tenoch and Julio don't know that much either.) After this last viewing, I thought more about whether the the two actually learned something positive from the experience. We're told they never meet again after the film ends. What happens next? And how does this trip I witnessed mean to that answer?

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Y Tu Mamá También

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