Sebastián Silva

Jordan Firstman

Catalina Saavedra

Mateo Riestra

Martine Gutierrez

Alberto Rafael Cortés

Anajo Aldrete

Gustavo Melgarejo

Juan Andrés Silva

Beltrán Horisberger

Gerardo Sierra

Jacob Wasserman

Rod Keller

Vitter Leija

Alberto Bustamante

Joaquín Guillemí

Blew Velvet

Sam Wilkes

Thomas Flechel

Israel Castillo Guzmán

Philippe Gosselin

Dante Starshine Filipini

Hernán Ortalejo

Louis Cousinard

Ricco Diamanti

Ángel Nahum

Rio Giner

Brayan Adan

Pedro Sepúlveda

Magalí Fernández

Janeth Cruz

Catalina Berarducci

Ana Moshi Ibarra

Carlos Cortés Navarrete

Luba Ramirez

Maria Alejandra Rojas

Javier M Alayón

Arturo Salazar R.B.

Alfredo Sánchez López

Osvaldo Montaño

Carlos García

Ezequiel Pinedo

Nascuy Linares

Alfredo Garcia

Pedro Peirano

Brighton McCloskey

Eugene Kotlyarenko

Adam Donald

Ant Gentile

Adrián Geyer

Lucía Diez Marina

Riccardo Maddalosso

Gabriel Stavenhagen

Santiago Cendeja

Sofía Subercaseaux

Alex Hughes

Olive Parker

Patricia Sánchez

Manuela Walfenzao

Gabriel Díaz

Mystery

Comedy

Thriller

Rotting in the Sun

Icki Eneo Arlo

Spacemaker Productions

Hidden Content

The Lift

Diroriro

Mexico

United States of America

Español

English

Brent Marchant

When an overwrought, angst-ridden, drug addicted filmmaker (Sebastián Silva playing a fictional version of himself) unexpectedly meets a wacky, unhinged comedian/social media influencer (Jordan Firstman playing a fictional version of himself) at a gay Mexican beach resort, the troubled director does all he can to distance himself from his new acquaintance when he becomes interminably annoying, especially in his incessant, unfocused pitches for collaborating on a new movie project. But, when the financially strapped filmmaker returns to his home in Mexico City, he reluctantly relents on the comic’s offer when all his other production proposals are turned down by would-be backers. He thus invites his new writing partner to come stay with him while they hammer out the script, but, upon his collaborator’s arrival, he finds the director has mysteriously disappeared. What ensues is a humorous gay comedy-mystery in which clues about the disappearance slowly emerge. At the same time, however, the story also delves into some surprisingly mature and insightful themes, developments very much in contrast to the film’s screwball narrative and its somewhat manic opening act. Writer-director Silva’s latest thus presents viewers with an intriguing combination of plot elements that one might think shouldn’t belong in the same picture but that work surprisingly well together. While it’s true that the ending seems somewhat abrupt and that some segments run on a little too long (particularly in the first half-hour), with a few others that could have been omitted entirely, the majority of the material nevertheless holds together well, making for an entertaining, if somewhat offbeat, time at the movies. Sensitive viewers are strongly cautioned, however, that the film features numerous scenes with explicit depictions of gay male sexuality, so those who are easily given to offense may wish to pass on this unrated release. Those considerations aside, though, this is a film that’s more than it might superficially seem, particularly the further one gets into the story. It’s quite an eye-opening ride into a world that many may be unfamiliar with, but it’s also one that simultaneously makes us laugh and makes us think – a rare combination to be found in the same picture, to be sure.

CinemaSerf

Most folks here just use their own names, so it's easy to follow the characterisations as dysfunctional, ketamine-loving, "Sebastián" (Silva) encounters the drowning "influencer" Jordan Firstman in trouble just off a nudist beach. Rescued and grateful, the doggy-paddler invites his new saviour to hang out with him and his collection of "accommodating" gay groupies. This isn't quite his scene though, especially when his buddy starts posting stuff that "Sebastián" doesn't really want seen. Anyway, Firstman offers him a role working on his new project and decides to move in while they work it through. Silva has a lot to do on this film so he cleverly arranges that with the help of the maid "Vero" (Catalina Saavedra) and a rather ugly looking brown sofa, he manages to write himself out of the rest of this, increasingly mysterious, little drama that for Jordan could now be called "Where's Sebastián?". Now we all know what has happened as we continue to follow the almost farcical consequences as tracks have to be covered and Firstman vacillates between annoyed to concerned to perplexed to... You get the drift. If you like his style of comedy and delivery, then you'll enjoy this rather ripe and quick-fired look at all things media, gay drug-induced and shallow - indeed, there are few stereotypes left unharmed by this - but it's never dull and though the ending is distinctly weak, I thought this was quite a fun film that shies away from nothing - so don't watch if you've an allergy to male genitalia and beach shagging.

Jordan Firstman & Sebastián Silva get intimate  | ROTTING IN THE SUN - Q&A | Film Independent

In Conversation with Sebastián Silva & Jordan Firstman

Silva on ROTTING IN THE SUN

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Rotting in the Sun

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