Dee Wallace

Danny Pintauro

Daniel Hugh Kelly

Christopher Stone

Ed Lauter

Kaiulani Lee

Billy Jayne

Mills Watson

Sandy Ward

Jerry Hardin

Merritt Olsen

Frank Welker

Clare Torao

Arthur Rosenberg

Robert Craighead

Lewis Teague

Stephen King

Don Carlos Dunaway

Barbara Turner

Daniel H. Blatt

Robert Singer

Charles Bernstein

Jan de Bont

Neil Travis

Judith Holstra

Marcia Ross

Guy J. Comtois

John Bergman

Jack Buehler

Robin L. Neal

Julie Purcell

Roger Crandall

Joseph T. Garrity

Brian Courcier

David R. Elliott

Fred Judkins

John Kline

Russ Tinsley

Patrushkha Mierzwa

Rick Josephsen

Conrad E. Palmisano

David Pringle

Richard Stone

Eddie Lee Voelker

Deborah Lawson

Jackie Saunders

Neil A. Machlis

Chris Howell

Bob Herron

Boots Lebaron

Horror

Thriller

Cujo

Sunn Classic Pictures

TAFT Entertainment Pictures

Warner Bros. Pictures

United States of America

English

Barmy Bernard.

Stephen King’s Cujo was brought to the screen and met with indifference back in 1983, yet it’s aged surprisingly well and comes out as one of the better “mad animal” movies that followed in the wake of Jaws.

A big cuddly St. Bernard dog is bitten on the nose by a bat, cops a serious bout of Hydrophobia and then terrorises anyone in its path. Which spells bad news for Donna Trenton (Dee Wallace) and her young son Tad (Danny Pintauro), who have the misfortune to be stuck in a battered old Pinto that has broken down in Cujo’s territory.

Lewis Teague directs with no little skill here, wringing out pot loads of tension and inserting genuine moments of terror as mother and son literally fight for their lives. There’s a school of thought that the film’s first half could have been trimmed, for this is the area that defines the Trenton’s as a family. 

Donna has been having an affair and her husband Vic (Daniel Hugh-Kelly) has found out, so for forty minutes we are investing in family strife and foundation building of the key characters. This is judged perfectly, because once Cujo is unleashed on Donna and Tad, it throws up a number of emotional connections to not only the humans, but also the dog as well.

Wallace and Pintauro are excellent, providing the film with its beating heart as they prove to be a believable mother & son pairing. Teague meanwhile uses some invention with his camera work, though never to the detriment of claustrophobic terror. Elements of the source novel have been left out, while the ending – unfortunately in this viewer’s opinion – has been changed, but this is a tightly wound horror and it’s well due re-evaluation in this day and age of franchise sequels and remakes.

Could have done with more of those bats though, they are awesome! 7/10

This was solid and unexpectedly fulfilling--perhaps because I'm a cat enthusiast and am neutral towards dogs to begin with. My 13-year-old son and I enjoyed it very much. I haven't read the book yet, so it's unnecessary for enjoyment of the movie IMHO. Worth both a purchase and rewatching for genre aficionados.

Gimly

God I forgot how fuckin' annoying that kids screaming is... Mad props to the titular Cujo, but I think this particular King adaptation maybe doesn't hold up as well as I thought it might. 

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Cujo (1983) - Trailer

CUJO New & Exclusive Trailer

Mick Garris on CUJO

Cujo - Trailer

Cujo

производственные компании

Актёрский состав 15:

Recommended films

Trailer

Sequels and Prequels